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Mount Calvary was the mother church of five other congregations in Page County that were organized, directly or indirectly, from her membership: Morning Star (organized 29 November 1873), Grace (organized 10 March 1877), St. Mark’s (organized 1876), St. James’ (Rileyville, organized 1884), and Beth Eden (organized 31 December 1896).
Mount Calvary United Methodist Church is a Methodist church in Harlem Village, Manhattan, New York City at 116 Edgecombe Avenue and 140th Street. The congregation occupies the former Lutheran church building of The Evangelical Lutheran Church of the Atonement, which was established in 1896 and built in 1897 as a mission church of St. John's Evangelical Lutheran Church.
Calvary Lutheran Church is an historic church on the National Register of Historic Places in Minneapolis, Minnesota. The church was built in 1930 with an addition built in 1953. The church is an exemplary work of the prolific Minneapolis architectural firm of Lang and Raugland. [2] The church is located one block south of George Floyd Square. [3]
A Lutheran chorale is a musical setting of a Lutheran hymn, intended to be sung by a congregation in a German Protestant church service. The typical four-part setting of a chorale, in which the sopranos (and the congregation) sing the melody along with three lower voices, is known as a chorale harmonization .
A chorale cantata is a church cantata based on a chorale—in this context a Lutheran chorale. It is principally from the German Baroque era. The organizing principle is the words and music of a Lutheran hymn. Usually a chorale cantata includes multiple movements or parts. Most chorale cantatas were written between approximately 1650 and 1750.
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In 1966, after over a decade of work, the committee had prepared new orders of service, using similar orders to those found in the Lutheran Church–Missouri Synod of the United States, but with musical settings adapted from those in use in the United Evangelical Lutheran Church of Germany. Orders of Divine Service with and without Holy ...
Bach's chorale harmonisations are all for a four-part choir (SATB), but Riemenschneider's and Terry's collections contain one 5-part SSATB choral harmonisation (Welt, ade! ich bin dein müde, Riemenscheider No. 150, Terry No. 365), not actually by Bach, but used by Bach as the concluding chorale to cantata Wer weiß, wie nahe mir mein Ende, BWV 27.