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Gina Beavers, Applebees!, acrylic on canvas, 20" x 16" x 3", 2012. Gina Beavers (born 1974) is an American artist based in the New York area. [1] She first gained attention in the early 2010s for thickly painted, relief-like acrylic images of food, cosmetics techniques and bodybuilders appropriated from Instagram snapshots and selfies found using hashtags such as #foodporn, #sixpack and # ...
Many contemporary Chinese women artists have employed the use of female bodies as the subject of their artworks. From the ancient and imperial period of China until early the 19th century, women's body images in Chinese art were predominantly portrayed through male artists' lenses. As a result, female bodies were often misrepresented.
Indigenous American body painting. Body painting is a form of body art where artwork is painted directly onto the human skin. Unlike tattoos and other forms of body art, body painting is temporary, lasting several hours or sometimes up to a few weeks (in the case of mehndi or "henna tattoos" about two weeks). Body painting that is limited to ...
The Fall of Man (Rubens) The Fall of Man (Titian) The Fall of the Titans; Female Figure (Giambologna) Female Half-Length Nude with Hat; Female Nude (Renoir, 1876) Femme nue couchée; The Fiancée of Belus; Figure drawing; Figure painting; Figure study; The Fisherman and the Syren; Five Bathing Women at a Lake; Flora and Zephyr; Flora Caressed ...
Paulina Porizkova, 58, posed topless, covered in silver paint. The star’s powerful images were for the cover of Elle Czech Republic. “Yes, I’m topless; but the silver paint on my skin is ...
The Radium Girls were female factory workers who contracted radiation poisoning from painting radium dials – watch dials and hands with self-luminous paint. The incidents occurred at three factories in the United States: one in Orange, New Jersey , beginning around 1917; one in Ottawa, Illinois , beginning in the early 1920s; and one in ...
It therefore appears that, depending on the era and the gender of the authors or curators of the exhibitions, the share of the female self-portrait in painting is evaluated in a very variable way; the recent increase is not the consequence of a renewed activity of the artists concerned, but that of a positive re-evaluation, from the 1970s, of ...
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