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Mary of Modena, second wife of James II of England, wears a dress fastened with jeweled clasps over a simple chemise, 1680. Her hair curls over either temple, and long curls hang on her shoulders. This style of undress was common in portraits, but likely not so common in everyday wear. Dorothy Mason, Lady Brownlow in fashionable undress. Her ...
The long, tight sleeves of the early 17th century grew shorter, fuller, and looser. A common style of the 1620s and 1630s was the virago sleeve, a full, slashed sleeve gathered into two puffs by a ribbon or other trim above the elbow. In France and England, lightweight bright or pastel-coloured satins replaced dark, heavy fabrics.
Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660. Hollywood, CA: Quite Specific Media Group, 2008, ISBN 0896762629. Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Ashelford, Jane.
Petticoat breeches were voluminously wide, pleated pants, reminiscent of a skirt, worn by men in Western Europe during the 1650s and early 1660s. [1] The very full loose breeches were usually decorated with loops of ribbons on the waist and around the knee. They were so loose and wide that they became known as petticoat breeches.
5 Women's fashion. 5 comments. 6 Question. ... 11 Two Different Styles of Dress. 2 comments. Toggle the table of contents. Talk ...
The mantua or manteau was a new fashion that arose in the 1670s. Instead of a bodice and skirt cut separately, the mantua hung from the shoulders to the floor (like dresses of earlier periods). It started as the female version of the men's banyan, worn for "undress" wear. Gradually the mantua developed into a draped and pleated dress and ...
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