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  2. Chord substitution - Wikipedia

    en.wikipedia.org/wiki/Chord_substitution

    F–C7–F, F–F ♯ 7–F, B–F ♯ 7–B, then B–C7–B. In music theory, chord substitution is the technique of using a chord in place of another in a progression of chords, or a chord progression. Much of the European classical repertoire and the vast majority of blues, jazz and rock music songs are based on chord progressions. "A chord ...

  3. Borrowed chord - Wikipedia

    en.wikipedia.org/wiki/Borrowed_chord

    The mixing of the major and minor modes developed in the Baroque period. [ 5 ] Borrowed chords are distinguished from modulation by being brief enough that the tonic is not lost or displaced, and may be considered brief or transitory modulations [ 3 ] and may be distinguished from secondary chords [ 6 ] as well as altered chords . [ 1 ]

  4. B minor - Wikipedia

    en.wikipedia.org/wiki/B_minor

    B minor is a minor scale based on B, consisting of the pitches B, C ... (1758–1819) [2] opined that B minor was not suitable for music in good taste. ...

  5. Chord notation - Wikipedia

    en.wikipedia.org/wiki/Chord_notation

    In 2003 Benjamin, Horvit, and Nelson describe the use of letters to indicate chord root as, "popular music ([and/specifically] jazz) lead sheet symbols." [ 3 ] The use of letters, "is an analytical technique that may be employed along with, or instead of, more conventional methods of analysis such as Roman numeral analysis .

  6. Passing chord - Wikipedia

    en.wikipedia.org/wiki/Passing_chord

    Passing chord in B ♭ from across the circle of fifths (tritone, see also tritone substitution): B ♮ 7 Play ⓘ. [1] The circle of fifths drawn within the chromatic circle as a star dodecagon. [2] In music, a passing chord is a chord that connects, or passes between, the notes of two diatonic chords. [3] "

  7. Turnaround (music) - Wikipedia

    en.wikipedia.org/wiki/Turnaround_(music)

    Sometimes, especially in blues music, musicians will take chords which are normally minor chords and make them major. The most popular example is the I–VI–ii–V–I progression; normally, the vi chord would be a minor chord (or m 7, m 6, m ♭ 6 etc.) but here the major third makes it a secondary dominant leading to ii, i.e. V/ii.

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  9. Ostinato - Wikipedia

    en.wikipedia.org/wiki/Ostinato

    1970s-era funk music often takes a short one or two bar musical figure based on a single chord one would consider an introduction vamp in jazz or soul music, and then uses this vamp as the basis of the entire song ("Funky Drummer" by James Brown, for example). Jazz, blues, and rock are almost always based on chord progressions (a sequence of ...

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