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Recapitulation. Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 58-80 Play ⓘ. [1] In music theory, the recapitulation is one of the sections of a movement written in sonata form. The recapitulation occurs after the movement's development section, and typically presents once more the musical themes from the movement's exposition.
In music, form refers to the structure of a musical composition or performance.In his book, Worlds of Music, Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of ...
Early examples of sonata form resemble two-reprise continuous ternary form. [1] Sonata form, optional features in parentheses [2]. The sonata form (also sonata-allegro form or first movement form) is a musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation.
Sonata Theory, in contrast, reserves the term "recapitulation" for instances in which the beginning of a rotation coincides with the return of the tonic key. Thus, the arrival of S in the middle of a Type 2 second rotation functions as a "tonal resolution" but not as the beginning of a recapitulation, because it does not initiate a new rotation.
Sonata rondo form combines features of the five-part rondo and sonata form. [2] The simplest kind of sonata rondo form is a sonata form that repeats the opening material in the tonic at the end of the exposition and recapitulation sections.
As for the body of the movement, the exposition is made of two parts, not three: a tonic section (mm. 1–16) and a dominant section (m. 17–42). Yet, the half cadence that divides the two sections in the exposition does not appear in the recapitulation; m. 15–21 do not have corresponding measures in the recapitulation. [6]
In a sonata form movement, the recapitulation section will, in general, follow the exposition in its thematic content, while adhering to the home key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as ...
The first movement is in sonata form, beginning with an introduction and ending with a Coda. The introduction, exposition, development, recapitulation, and Coda are clearly distinguished by different tempo markings and time signatures. Though the movement begins and ends in C major the tonal center is ambiguous as it is constantly shifting.