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The boy Buddha appearing within a lotus. Crimson and gilded wood, Trần-Hồ dynasty, Vietnam, 14th–15th century. In the Aṅguttara Nikāya, the Buddha compares himself to a lotus (padma in Sanskrit, in Pali, paduma), [3] saying that the lotus flower rises from the muddy water unstained, as he rises from this world, free from the defilements taught in the specific sutta.
The lotus flower holds high spiritual significance across Hinduism, Buddhism and different Asian cultures alike. In China, for example, the lotus symbolizes associated with purity, grace and beauty.
The lotus throne, sometimes called lotus platform, is a stylized lotus flower used as the seat or base for a figure in art associated with Indian religions. It is the normal pedestal for divine figures in Buddhist art and Hindu art, and often seen in Jain art. [1] Originating in Indian art, it followed Indian religions to East Asia in particular.
The lotus symbolizes purity and renunciation. Although the lotus has its roots in the mud at the bottom of a pond, its flower lies immaculate above the water. The Buddhist lotus bloom has 4, 8, 16, 24, 32, 64, 100, or 1,000 petals. The same figures can refer to the body's 'internal lotuses', that is to say, its energy centres . [6] [7]
Lotus flowers feature in the oldest Egyptian hieroglyphics, antique Chinese ceramics, and Hindu folk stories. “The lotus is revered in many Asian religions, including Buddhism, Hinduism, and ...
The Epic-Puranic chronology is a timeline of Hindu mythology based on the Itihasa (the Sanskrit Epics, that is, the Mahabharata and the Ramayana) and the Puranas.These texts have an authoritaive status in Indian tradition, and narrate cosmogeny, royal chronologies, myths and legendary events.
The lotus is regarded to be a representation of dharma, the cosmic law, as well the epitome of purity, as it rose beneath the impure seabed towards the sun. [ 4 ] [ 5 ] During the Samudra Manthanam , when Lakshmi chooses Vishnu as her eternal consort, she throws a garland of lotuses around his neck, and is also eulogised as the lotus-faced one.
The Itihasa-Purana, the Epic-Puranic narratives of the Sanskrit Epics (Mahabharata and the Ramayana) [1] and the Puranas, [1] contain royal genealogies of the lunar dynasty and solar dynasty which are regarded by Indian traditions as historic events, and used in the Epic-Puranic chronology to establish a traditional timeline of Indian history.