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mandara (曼陀羅) – a mandala, or diagram that contains Buddhist images and illustrates Buddhist cosmology. [1] mandara-dō (曼荼羅堂) – lit. "hall of mandalas", but the name is presently used only for Taimadera's Main Hall in Nara. [1] manji* (卍）- the Japanese name of the swastika, symbol used for Buddhist temples in Japanese maps.
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The earliest Buddhist art is from the Mauryan era (322 BCE – 184 BCE), there is little archeological evidence for pre-Mauryan period symbolism. [6] Early Buddhist art (circa 2nd century BCE to 2nd century CE) is commonly (but not exclusively) aniconic (i.e. lacking an anthropomorphic image), and instead used various symbols to depict the Buddha.
In Shinto and Buddhism in Japan, an ofuda (お札/御札, honorific form of fuda, ' slip [of paper], card, plate ') or gofu (護符) is a talisman made out of various materials such as paper, wood, cloth or metal.
In Japanese the symbol is called "卍 " (Hepburn: manji) or "卍字 " (manji). The swastika is included in the Unicode character sets of two languages. In the Chinese block it is U+534D 卍 (left-facing) and U+5350 for the swastika 卐 (right-facing); [ 54 ] The latter has a mapping in the original Big5 character set, [ 55 ] but the former does ...
The dharmachakra (Sanskrit: धर्मचक्र, Pali: dhammacakka) or wheel of dharma is a symbol used in the Dharmic religions.It has a widespread use in Buddhism. [1] [2] In Hinduism, the symbol is particularly used in places that underwent religious transformation.
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Bhaiṣajyaguru is typically depicted seated, wearing the three robes of a Buddhist monk, holding a lapis-colored jar of medicine nectar in his left hand and the right hand resting on his right knee, holding the stem of the Aruna fruit or Myrobalan between thumb and forefinger. In the sutra, he is also described by his aura of lapis lazuli ...