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Koestler's contribution appeared on 2 October 1969. Sins of Omission: While Six Million Died by Arthur D. More. Reviewed in the Observer, 7 April 1968. The Future if any: The Biological Time-Bomb by Gordon Rattray Taylor. Reviewed in the Observer, 21 April 1968. Going Down the Drain : The Doomsday Book by Gordon Rattray Taylor.
A central theme of the book is the changing relationship between faith and reason. Koestler explores how these seemingly contradictory threads existed harmoniously in many of the greatest intellectuals of the West. He illustrates that while the two are estranged today, in the past the most ground-breaking thinkers were often very religious.
The Act of Creation is a 1964 book by Arthur Koestler.It is a study of the processes of discovery, invention, imagination and creativity in humour, science, and the arts. It lays out Koestler's attempt to develop an elaborate general theory of human creativit
In the title essay, Koestler proposes a continuum of philosophies for achieving "heaven on earth", from the Commissar at the materialist, scientific end of the spectrum, to the Yogi at the spiritual, metaphysical end. The Commissar wants to change society using any means necessary, while the Yogi wants to change the individual, with an emphasis ...
Arthur Koestler CBE (UK: / ˈ k ɜː s t l ər /, US: / ˈ k ɛ s t-/; German:; Hungarian: Kösztler Artúr; 5 September 1905 – 1 March 1983) was an Austro-Hungarian-born author and journalist. Koestler was born in Budapest , and was educated in Austria, apart from his early school years.
The term holon was coined by Arthur Koestler in The Ghost in the Machine (1967), though Koestler first articulated the concept in The Act of Creation (1964), in which he refers to the relationship between the searches for subjective and objective knowledge: Einstein's space is no closer to reality than Van Gogh's sky.
Darkness at Noon (German: Sonnenfinsternis) is a novel by Austrian-Hungarian-born novelist Arthur Koestler, first published in 1940. His best known work, it is the tale of Rubashov, an Old Bolshevik who is arrested, imprisoned, and tried for treason against the government that he helped to create.
Koestler was a Revisionist Zionist in his teens and 20s, but in later life his attitude toward Zionism grew more distant. The title is a Biblical reference, quoted on the title page: "But the day of the Lord will come as a thief in the night." (2 Peter 3:10) Related Biblical references: