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Lorenzo Bartolini, (Italian, 1777–1850), La Table aux Amours (The Demidoff Table), Metropolitan Museum of Art, New York City, Marble sculpture. Marble has been the preferred material for stone monumental sculpture since ancient times, with several advantages over its more common geological "parent" limestone, in particular the ability to absorb light a small distance into the surface before ...
Endpaper from a book published in Scotland in 1842. Encyclopædia Britannica, 7th edition. Paper marbling is a method of aqueous surface design, which can produce patterns similar to smooth marble or other kinds of stone. [1]
This style of marble was invented by Geoffrey Beetem circa 1989 and are called Stardust Marbles. First publication was by Marilyn Barrett in 1994, Dr. Morito 1996, Glass magazine in 2000, and in Marbles and Related Art Glass, by Mark P. Block also in 2000.
It is typically used in buildings where the cost or weight of genuine marble would be prohibitive. Faux marbling is a special case of faux painting used to create the distinctive and varied patterns of marble - the most imitated stone by far. Faux painting by Andre' Martinez in the Colorado State Capitol 2005 Giotto, Scrovegni Chapel.
The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: the Archaic (from about 650 to 480 BC), Classical (480–323 BC ...
During the Renaissance, Florence was renowned throughout Europe as a centre of fine art, particularly in painting, gold gilding, bronze work, and furnishings inlaid with intricate designs in marble or rare wood. The fine craft traditions associated with some of these arts never entirely died out in Florence, and remained well-established up to ...
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