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Op. 12, 4 Sonatas For Piano (1 to 4: B♭, E♭, F, E♭) and 1 Duet For Two Pianos (5: B♭). Dedicated to Miss Glover. Dedicated to Miss Glover. Published in 1784; Note: The 3rd movement of No. 1: Variations on 'Je suis Lindor', Antoine-Laurent Baudron's setting of the romanze from Beaumarchais' Barbier de Séville.
Tom Grant was born in Portland, Oregon, to a musical family. His father was a tap dancer who owned a record store in Portland, and his brother, Mukunda Goswami, was an avant-garde jazz pianist (as Michael Grant) until becoming a pioneer from the beginning of the Hare Krishna movement. Grant learned to play piano and drums when he was young.
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Harrison started playing the piano at age six. He was prompted by his mother, who thought that playing the piano would help him to overcome his shyness. [ 1 ] Harrison attended Parkrose High School in northeast Portland.
David Shifrin received early musical training at the Interlochen Center for the Arts in 1963. [1] He attended the Music Academy of the West summer conservatory in 1968 [2] and later graduated from the Curtis Institute of Music in Philadelphia in 1971, [3] where he studied with Anthony Gigliotti.
Allegro Brillant, Op. 92, MWV T 4 is a composition written for Piano four hands by Felix Mendelssohn consisting of a theme in A major, written in 1841 and dedicated to Clara Schumann. [1] The expressive Andante theme alternates between the Secondo and Primo, segueing into the virtuosic Allegro assai vivace movement with a rush of scales.
The Klavierstück in F (Piece in F for keyboard), K. 33B/Anh.A 6, is a keyboard work written by Wolfgang Amadeus Mozart sometime during early October 1766; its tempo marking is Allegro. It is 26 bars long, divided into two sections of 12 and 14 bars, each repeated. It is suspected to be an arrangement of work by another composer.
Allegro This work consists of five dances with Arabic , Wallachian and Hungarian melodies, and a finale that brings together all the previous thematic sketches. There was one more movement, omitted by the composer according to his mathematical principles , which would be placed between the second and the third movement.