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While the term is somewhat vague, she uses it to describe why there is a "desire which flows through all who want cinema as a lover," [3] why film can feel erotic, whether such intense feelings may be explained by a psychic model of "tension and release," [4] and why there is this "physical pleasure of cinema" which sometimes manifests itself in an "erotic and subversive" way.
The film's characters try to embed an idea in a person's mind without their knowledge, similar to Freud's theory that the unconscious influences one's behaviour without one's knowledge. [67] Most of the film takes place in interconnected dream worlds; this creates a framework where actions in the real (or dream) worlds ripple across others.
The time period prior to the Hays code included gender role-reversal productions, most notably Charlie Chaplin's A Woman (1915), in which Chaplin dresses as a woman and plays with the affections of men. [2] Films such as Miss Fatty (1915), featuring Fatty Arbuckle, and Sweedie (1914–16), starring Academy Award-winning actor Wallace Beery ...
A film adaptation of Fortune and Men's Eyes was released in 1971. [13] Directed by Harvey Hart, it starred Wendell Burton as Smitty, Michael Greer as Queenie, Danny Freedman as Mona, Hugh Webster as Rabbit and Zooey Hall as Rocky. Freedman won the Canadian Film Award for Best Supporting Actor at the 23rd Canadian Film Awards in 1971. At the ...
Cinema 2: The Time-Image (French: Cinéma 2, L'image-temps) (1985) is the second volume of Gilles Deleuze's work on cinema, the first being Cinema 1: The Movement-Image (French: Cinéma 1. L'image-mouvement) (1983). Cinema 1 and Cinema 2 have become to be known as the Cinema books, and are complementary and interdependent texts.
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This is a list of nonfiction works that have been made into feature films. The title of the work is followed by the work's author, the title of the film, and the year of the film. If a film has an alternate title based on geographical distribution, the title listed will be that of the widest distribution area.