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The Fashion Institute of Design & Merchandising Museum, located at the Los Angeles Campus, is home to a large collection of fashion and costume pieces from the 1800s to today. The museum features permanent and temporary exhibits, including costumes and designs from early 20th-century Hollywood, theater, and current television shows and films.
Otis College of Art and Design is a private art and design school in Los Angeles, California, United States. [2] Established in 1918, it was the city's first independent professional school of art. [3] The main campus is located in the former IBM Aerospace headquarters at 9045 Lincoln Boulevard in Westchester, Los Angeles.
Ticketmaster and Live Nation has faced backlash for their dynamic pricing system and "platinum" tickets when tickets for Bruce Springsteen's and Blink-182's 2023 tours went on sale in July and October 2022 respectively, which saw fans of both acts criticize prices for random seats across the venue going for hundreds or thousands of dollars ...
The FIDM Museum & Library, Inc. was founded in 1978 to serve the Fashion Institute of Design & Merchandising (FIDM) and the community. Since January 1999, the museum's operations have been separate from the Library in order to offer more specialized care and attention to the specific needs of a costume collection, and museum-trained personnel have been added to the staff.
As of August 2013, AXS was the exclusive or primary ticket provider for over 30 US venues and 9 UK venues. [citation needed] The first Staples Center concert available only through AXS was Beyoncé in 2013; both Los Angeles Lakers and the Los Angeles Clippers are still using Ticketmaster. [4]
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Vivid Seats is a middleman between ticket buyers and sellers, taking a 10% commission once tickets have sold [16] and additionally charging buyers service fees (circa 20–40% [17]) and shipping charges.
Live Nation is an American events promoter and venue operator based in Beverly Hills, California.Founded in 1996 by Robert F. X. Sillerman as SFX Entertainment, the company's business was built around consolidating concert promoters into a national entity to counter the oversized influence of ticket behemoth Ticketmaster.