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A Navajo-style cradleboard A Skolt Sámi mother with her child in a ǩiõtkâm. Cradleboards (Cheyenne: pâhoešestôtse, Northern Sami: gietkka, Skolt Sami: ǩiõtkâm, Inari Sami: kietkâm, Pite Sami: gietkam, Kazakh: бесік, Kyrgyz: бешік) are traditional protective baby-carriers used by many indigenous cultures in North America, throughout northern Scandinavia among the Sámi, and ...
It is a non reversible procedure which alters the condition and state of a work of art, which triggers ethical issues. With many cradled paintings the sliding cradle members will get stuck due to the movement of the panel. This leads to much tension and cracks in the panel and permanent deformation.
She has created utilitarian works, such as The Cradle Board, as well as necklaces, bracelets, and beaded handbags. Other influences in her art include the geometric designs found in ribbonwork and the floral patterns depicted throughout the Great Lakes tribal beadwork.
The form of the sculpture is in Houser’s signature style—a blend of modernist styles and Native American art and subject matter. [1] Houser’s figures are highly stylized and don’t represent any one particular person which allow them to represent Southwest and Plains Native American cultures as a whole.
Cradle (circus act), or aerial cradle or casting cradle used in an aerial circus act; Cradling (paintings), an art restoration technique to stabilise a painting on panel; Docking station, also known as a cradle for the connection of a mobile device; Ship cradle, for supporting a ship when dry docked
The Crealdé School of Art is a non-profit arts organization in Winter Park, Florida. Opened in 1975, the school offers visual and three-dimensional arts classes for all ages, a summer art camp, and a visiting artist workshop series.
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Sometime in 1925 or 1926, she moved to Monhegan Island, where she bought a house, became town clerk and operated an art school. [6] In 1930, she wrote and published a history about the island, Monhegan, the Cradle of New England. [25]
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