Search results
Results from the WOW.Com Content Network
The coda (literally "tail") is the concluding segment of a grand pas de deux. Typically, it is a recapitulation of earlier segments of the grand pas de deux, consisting of elements that are characteristic of the adagio, variations, or both, and ends during a grand musical climax. [2]
In a grand pas classique, classical ballet technique prevails and no character dances are included. A grand pas de deux serves as the pièce de résistance for the principal male and female characters of a full-length ballet. A grand pas danced by three or four dancers is a grand pas de trois or grand pas de quatre, respectively.
The Grand Pas des éléments, at Her Majesty's Theatre, 1847.. In classical ballet, a Grand pas, or Grand pas classique (French: [ɡʁɑ̃ pɑ]; literally meaning big or large classical step) is a suite of pure dance numbers that is devoid of dramatic action, serving strictly as the pièce de résistance in the context of a full-length ballet performance to showcase the talents of the ...
During the classical era, Marius Petipa was largely responsible for creating choreographic structures that are still used in ballets today. For one, Petipa was the first to use the grand pas de deux in his choreography. Additionally, he cemented the usage of the corps de ballet as a standard part of a ballet. Despite his ushering in of the ...
The music was never used again after Bessone's departure from Russia until Agrippina Vaganova added it to the Peasant pas de deux for the Kirov Ballet's production of Giselle in 1932. [41] The inclusion of this variation in the Peasant pas de deux remains part of the Mariinsky Theatre's performance tradition of Giselle to the present day.
The famous Grand Pas de Deux from the ballet's final scene was staged in the West as early as the 1940s, given first by the Ballet Russe de Monte-Carlo. The first full-length production mounted outside of Russia was a completely new staging, produced and choreographed by Ninette de Valois for The Royal Ballet in 1950.
Gorsky's version of the Grand pas de deux from the second act, loosely known as La Fille mal gardée pas de deux, is now a famous repertory excerpt on the gala and competition circuit, and is still performed regularly by the Vaganova School as part of their annual graduation performances at the Mariinsky Theatre.
a close relationship or connection; an affair. The French meaning is broader; liaison also means "bond"' such as in une liaison chimique (a chemical bond) lingerie a type of female underwear. littérateur an intellectual (can be pejorative in French, meaning someone who writes a lot but does not have a particular skill). [36] louche