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The English rock band Traffic included the jazz-rock track "Dream Gerrard" in their 1974 album When the Eagle Flies. Lyrics are known to be mainly written by Vivian Stanshall after reading Nerval's biography. [31]
This was the last Traffic album for 20 years, when Winwood and Capaldi reunited for Far from Home in 1994. When the Eagle Flies was the band's fourth consecutive studio album to reach the American Top Ten [ 1 ] and have gold album status.
Traffic is the second studio album by the English rock band of the same name, released in 1968 on Island Records in the United Kingdom as ILPS 9081T (stereo), and United Artists in the United States, as UAS 6676 (stereo).
Traffic disbanded at the beginning of 1969, when Steve Winwood co-formed the supergroup Blind Faith. An album compiled from studio and live recordings, Last Exit, was released in 1969. By 1970, Blind Faith had also broken up and Winwood, Jim Capaldi and Chris Wood reformed Traffic, with John Barleycorn Must Die being the band's comeback album ...
This edition was also released as Mr. Fantasy in Australia and New Zealand by Festival Records after the original UK track listing had first been released in Australia simply titled Traffic. [4] The first Canadian edition was similar but was released in December 1967 with the title Reaping in a unique cover. This album contained the full-length ...
John Barleycorn Must Die is the fourth studio album by English rock band Traffic, released in 1970 as Island ILPS 9116 in the United Kingdom, United Artists UAS 5504 in the United States, and as Polydor 2334 013 in Canada.
Songs written by James Harris III and Terry Lewis, with original artists, co-writers, the samples and originating album, showing year released. Title Artist(s) Co-writer(s) Originating album Year Sample(s) Ref. "High Hopes" † The S.O.S. Band — III: 1982 — "The Only One" Dynasty — Right Back At Cha! 1982 — "Wild Girls" Klymaxx —
"Dear Mr. Fantasy" is a rock song by Traffic from their 1967 album, Mr. Fantasy. Jim Capaldi contributed the lyrics, while Steve Winwood and Chris Wood composed the music. [1] In a song review for AllMusic, Lindsay Planer writes: A slightly trippy dark and foreboding tone permeates both the lyrics and arrangement contrasting the rock-solid pop ...