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The kempyang and ketuk are two instruments in the gamelan ensemble of Indonesia, generally played by the same player, and sometimes played by the same player as the kenong. They are important beat-keepers in the colotomic structure of the gamelan. Depending on the structure, they play different, repeating patterns every gongan. Not all ...
Nagiichi (Nagisa de Ichiban Kawaii Girl!!) (Gadis yang Paling Cantik Pinggir Pantai) Eien Pressure (Selamanya Pressure) Oshibe to Meshibe to Yoru no Chouchou (Benang Sari, Putik, dan Kupu-Kupu Malam) Gomen ne, Jewel (Maafkan, Hai Permataku) Teacher Teacher; Kataomoi, Finally! (Cinta Tak Berbalas, Finally!) Must be now; Sweet & Bitter
Folklore of Indonesia is known in Indonesian as dongeng (lit. ' tale '), cerita rakyat (lit. ' people's story ') or folklor (lit. ' folklore '), refer to any folklore found in Indonesia. Its origins are probably an oral culture, with a range of stories of heroes associated with wayang and other forms of theatre, transmitted outside of a written ...
The culture of Indonesia (Indonesian: Budaya Indonesia) has been shaped by the interplay of indigenous customs and diverse foreign influences. With over 600 distinct ethnic groups , including significant Austronesian and Melanesian cultures, contributing to its rich traditions, languages , and customs, Indonesia is a melting pot of diversity.
Indian Prime Minister Narendra Modi inspects guard of honor wearing traditional clothing of Indonesia at Merdeka Palace, Jakarta. The national costume of Indonesia (Indonesian: Pakaian Nasional Indonesia) is the national attire that represents the Republic of Indonesia. It is derived from Indonesian culture and Indonesian traditional textile ...
Balinese people preserve cultural arts with their percussion instrument. Etymologically, the word 'kompang' is absorbed from the Javanese: ꦏꦺꦴꦩ꧀ꦥ꧀ꦭꦁ, romanized: komplang which means "empty" or "hollow", this refers to the shape of the kompang musical instrument itself which has a hollow part (on the back that is not covered with skin) so that it can produce loud sounds when hit.
Before Puteri Indonesia under PT Mustika Ratu Tbk., the Indonesia's representations were crowned by national pageants called Ratu Indonesia, Miss Indonesia, and Miss Jawa. Andy Nurhayati who owned Andi Beauty Institute Jakarta was the key person who took the franchise for Miss Universe, Miss World, Miss International, Miss Asia Pacific, etc. in ...
The Kamus Besar Bahasa Indonesia defines a candi as an ancient stone building used for worship, or for storing the ashes of cremated Hindu or Buddhist kings and priests. [2] Indonesian archaeologists describe candis as sacred structures of Hindu and Buddhist heritage, used for religious rituals and ceremonies in Indonesia. [3]