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Etching by Daniel Hopfer, who is believed to have been the first to apply the technique to printmaking. Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. [1] In modern manufacturing, other chemicals may be used on other ...
Drypoint is a printmaking technique of the intaglio family, in which an image is incised into a plate (or "matrix") with a hard-pointed "needle" of sharp metal or diamond point. In principle, the method is practically identical to engraving. The difference is in the use of tools, and that the raised ridge along the furrow is not scraped or ...
Ground (etching) A ground is waxy material applied to the surface of a metal etching plate. A metal etching plate is a piece of sheet metal, usually copper, zinc, steel, or aluminium. The ground resists the acid or mordant which is used for etching, protecting areas of the metal plate. Grounds are made from a variety of materials including tar ...
Photogravure. Photogravure (in French héliogravure) is a process for printing photographs, also sometimes used for reproductive intaglio printmaking. It is a photo-mechanical process whereby a copper plate is grained (adding a pattern to the plate) and then coated with a light-sensitive gelatin tissue which had been exposed to a film positive ...
Hundred Guilder Print. The Hundred Guilder Print, c.1647-1649, State 2 of 2. 278 x 388 mm. The Hundred Guilder Print is an etching with drypoint by Rembrandt, measuring 278 x 388 mm (platemark). [1] The etching's popular name derives from the large sum of money supposedly charged for it. It is also called Christ healing the sick, [2] Christ ...
Other terms often used for printed engravings are copper engraving, copper-plate engraving or line engraving. Steel engraving is the same technique, on steel or steel-faced plates, and was mostly used for banknotes, illustrations for books, magazines and reproductive prints, letterheads and similar uses from about 1790 to the early 20th century, when the technique became less popular, except ...
In the first state the background is plain; the landscape of state II was probably added some years later. In printmaking, a state is a different form of a print, caused by a deliberate and permanent change to a matrix such as a copper plate (for engravings etc.) or woodblock (for woodcut). Artists often take prints from a plate (or block, etc ...
Daniel Hopfer. Daniel Hopfer (c. 1470 – 1536) was a German artist who is widely believed to have been the first to use etching in printmaking, at the end of the 15th century. [1] He also worked in woodcut.