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Mask from Gabon Two Chiwara c. late 19th early 20th centuries, Art Institute of Chicago.Female (left) and male, vertical styles. Most African sculpture from regions south of the Sahara was historically made of wood and other organic materials that have not survived from earlier than a few centuries ago, while older pottery figures are found from a number of areas.
In his article, Georges Meurant, collector, author of studies on African art and former professor at the Royal Academy of Fine Arts in Brussels, Belgium, discusses the mostly small-format sculptures made of wood or clay of the ethnic groups south of the Kenyan border in the north-eastern part of the country. [28]
The Tree of Life is a sculpture created by four artists in Mozambique.It was commissioned and then installed in the British Museum in 2005. [1] It was built from the surrender of 600,000 weapons that were converted into art following an initiative started by Bishop Dinis Sengulane.
African art is produced using a wide range of materials and takes many distinct shapes. Because wood is a prevalent material, wood sculptures make up the majority of African art. Other materials used in creating African art include clay soil. Jewelry is a popular art form used to indicate rank, affiliation with a group, or purely aesthetics. [16]
Modern Makonde art is an integration of dated practices of woodwork met with a demand of artistic woodcarving of the modernized world. After the introduction of road systems in the plateaus between Tanzania and Mozambique by Portuguese troops during World War I, the traditional sense of the practice began to shift to meet new social and economic demands. [3]
The flow sculptures are still capable of demonstrating innovation in art and most are individually carved, in styles that are characteristic of the individual artists. [21] Another artist, Bryn Taurai Mteki, created a large sculpture titled “Chippi”, which was unveiled during the sixth All-Africa Games, hosted in Zimbabwe in September 1995 ...
The Memorial Head (Nsodie) at the Metropolitan Museum of Art was created in the 17th–mid-18th century. It was found in Ghana, Twifo-Heman traditional area from the Akan peoples. These heads were commissioned by the Akan peoples to memorialize royal personages before death. It was thought that elderly women artists fulfilled these commissions. [3]
The realism and sophisticated craftsmanship of the objects challenged the dismissive and patronising Western conceptions of African art. The naturalistic features of the Ife heads are unique [3] [1] and the stylistic similarities of these works "suggest that they were made by an individual artist or in a single workshop." [3]