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From the 1870s to the 1960s, dude primarily meant a male person who dressed in an extremely fashionable manner (a dandy) or a conspicuous citified person who was visiting a rural location, a "city slicker". In the 1960s, dude evolved to mean any male person, a meaning that slipped into mainstream American slang in the 1970s.
The Dandy King: Joachim Murat, the French King of Naples. Regarding the existence and the political and cultural functions of the dandy in a society, in the essay L'Homme révolté (1951), Albert Camus said that: The dandy creates his own unity by aesthetic means. But it is an aesthetic of negation.
"Dandy" was only released in Britain and America on the Face to Face album. However, it was released as a single in continental Europe, where it charted, reaching #1 in Germany, #2 in Belgium #3 in the Netherlands and #6 in Austria. In some countries, (such as Norway) "Dandy" was flipped with "Party Line" (also from Face to Face) as the A-side.
The word "fop" is first recorded in 1440 and for several centuries just meant a fool of any kind; the Oxford English Dictionary notes first use with the meaning of "one who is foolishly attentive to and vain of his appearance, dress, or manners; a dandy, an exquisite" in 1672. [2]
In the 21st century, the word "dandy" is a jocular, often sarcastic adjective meaning "fine" or "great", while "a dandy" refers to a well-groomed, well-dressed, and self-absorbed man. I think the intended meaning of the sentence may be obvious to those already familiar with the word, but the sentence is not clearly worded.
Dandy (mascot), a former mascot of the New York Yankees; Dandy Dam, Pakistan; Dandy loom, a cotton loom; Dandy (paddle steamer), built in England in 1823; Dandy rig, a British term for a sailing rig, similar to a yawl; HB-Flugtechnik Dandy, an Austrian ultralight aircraft; Dandie Fashions, sometimes called Dandy Fashions, a 1960s London boutique
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David Harvey asserts that "Baudelaire would be torn the rest of his life between the stances of flâneur and dandy, a disengaged and cynical voyeur on the one hand, and man of the people who enters into the life of his subjects with passion on the other". [22] The observer–participant dialectic is evidenced in part by the dandy culture ...