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Dude" may have derived from the 18th-century word "doodle", as in "Yankee Doodle Dandy". [6] In the popular press of the 1880s and 1890s, "dude" was a new word for "dandy"—an "extremely well-dressed male", a man who assigned particular importance to his
"Dandy" was only released in Britain and America on the Face to Face album. However, it was released as a single in continental Europe, where it charted, reaching #1 in Germany, #2 in Belgium #3 in the Netherlands and #6 in Austria. In some countries, (such as Norway) "Dandy" was flipped with "Party Line" (also from Face to Face) as the A-side.
The Dandy King: Joachim Murat, the French King of Naples. Regarding the existence and the political and cultural functions of the dandy in a society, in the essay L'Homme révolté (1951), Albert Camus said that: The dandy creates his own unity by aesthetic means. But it is an aesthetic of negation.
fine and dandy; good; well; A-OK; cool. Creole, perhaps from the French "Comme c'est sympathique" [222] [223] costume party
Generally, words coming from French often retain a higher register than words of Old English origin, and they are considered by some to be more posh, elaborate, sophisticated, or pretentious.
David Harvey asserts that "Baudelaire would be torn the rest of his life between the stances of flâneur and dandy, a disengaged and cynical voyeur on the one hand, and man of the people who enters into the life of his subjects with passion on the other". [22] The observer–participant dialectic is evidenced in part by the dandy culture ...
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The word "fop" is first recorded in 1440 and for several centuries just meant a fool of any kind; the Oxford English Dictionary notes first use with the meaning of "one who is foolishly attentive to and vain of his appearance, dress, or manners; a dandy, an exquisite" in 1672. [2]