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The Harvesters is an oil painting on wood completed by Pieter Bruegel the Elder in 1565. It depicts the harvest time set in a landscape, in the months of July and August or late summer. [ 1 ] Nicolaes Jonghelinck , a merchant banker and art collector from Antwerp, commissioned this painting as part of a cycle of six paintings depicting various ...
The rurality of his native region was his main source of inspiration. Nicknamed the “painter of harvesters”, his works bears witness to the working and peasant social life of his time through scenes of rural or urban work. It was the painting The Harvesters' Pay (1882) that brought him notoriety and recognition from his peers.
Harvesters (Danish: Høstarbejdere) is a 1905 oil painting on canvas by the Danish artist Anna Ancher, a member of the artists' community known as the Skagen Painters which flourished in Skagen in the north of Jutland in Denmark in the late 19th and early 20th centuries.
The Harvesters (1885) - The Appleton Museum of Art, Ocala, Florida The Harvester (c.1880/1) - Huntington Museum of Art , Huntington, West Virginia Home From the Pasture (n.d.) - Columbia Museum of Art , Columbia, South Carolina [ citation needed ]
In works of art, literature, and narrative, a symbol is a concrete element like an object, character, image, situation, or action that suggests or hints at abstract, deeper, or non-literal meanings or ideas. [1] [2] The use of symbols artistically is symbolism. In literature, such as novels, plays, and poems, symbolism goes beyond just the ...
Paying the Harvesters, 1892 Musée d'Orsay, Paris. Fine arts. AedW I, p. 63; Motif group: Work; Listed as an example of the representation of the self-confidence of the working class in France after the Revolution: The harvesters in Lhermitte's painting were paid their daily allowance by the steward, standing upright, without humility ...
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The Nightmare (1781), by Johann Heinrich Füssli, Detroit Institute of Arts, Detroit. Symbolism, understood as a means of expression of the "symbol", that is, of a type of content, whether written, sonorous or plastic, whose purpose is to transcend matter to signify a superior order of intangible elements, has always existed in art as a human manifestation, one of whose qualities has always ...