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Black November is produced by Bernard Alexander, Ori Ayonmike, Marc Byers, Wilson Ebiye, Hakeem Kae-Kazim and Dede Mabiaku; production and marketing costs of the film totalled at US$22 million, [7] and was majorly funded by a Nigerian oil baron. [7] The film, which is fiction based on actual events, premiered at the Kennedy Center on 8 May 2012 ...
Based on true events, Dark October tells the story of four university students in Nigeria, who went to a particular area in search of a debtor who owed one of them. Unfortunately, the debtor raised a false alarm and alleged that the boys came to rob him of his valuables; mobs then paraded the boys as thieves and lynched them. The mob attack ...
The film is based on a true story, set in the 1940s Oyo Town, southwestern Nigeria.The king has just died, and as tradition demands, Elesin Oba must perform a ritual suicide in order to join his dead king in the afterlife so that the king may gain free passage into the land of the gods, thus blocking disaster from befalling the community. [4]
These 79 best movies based on true stories prove that truth really can be stranger than fiction. ... This Disney sports film follows the true story of Nigerian-Greek brothers Giannis, Kostas, and ...
Netflix’s Hijack ‘93 fictionalizes the gripping true story of four young adults who hijacked a plane to protest their government’s actions.. On Oct. 25, 1993, Richard Ogunderu, Kabir Adenuga ...
The dialogue in the screenplay is faithful in form to the novel, originally written in a lighter form of Nigerian Pidgin English known as Krio. [13] On August 20, 2013, Idris Elba joined the cast of the film adaptation. [4] On June 6, 2014, Ghanaian actors Ama K. Abebrese, Grace Nortey and David Dontoh joined the film. [10]
The military also assigned personnel to train the actors and guide the military aspect of the film. [5] [9] During the film's development, the director tried to minimize violence as he wanted people to focus on the story and not get distracted or pissed off by gory images. [7] Eight period cars of the 1970s were refurbished to be used in the film.
The film kicks into high gear with the introduction of Harrison Lee Van Buren (Guy Pearce), a pompous patriarch and industrialist who commissions Tóth to design an elaborate community center.