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The first consists of primary banjo players and the second of celebrities that also play the banjo This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
Edwin Ellsworth Peabody (February 19, 1902 – November 7, 1970) was an American banjo player, instrument developer, and musical entertainer whose career spanned five decades. He was the most famous plectrum banjoist of his era.
Charlie Tagawa (October 27, 1935 – July 30, 2017) was a Japanese-born American musical entertainer and banjoist.In a music career spanning seven decades, he was regarded as one of the best contemporary four-string banjo players. [1]
2014 American Banjo Museum Hall of Fame Award for Earl Scruggs. The American Banjo Museum Hall of Fame, formerly known as the National Four-String Banjo Hall of Fame, recognizes musicians. bands, or companies that have made a distinct contribution to banjo performance, education, manufacturing, and towards promotion of the banjo.
Musicians who are notable for their playing of ragtime music include (in alphabetical order): This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
He also appeared with Columbo in That Goes Double (1933), which featured Smeck on a screen divided into four parts, simultaneously playing steel guitar, tenor banjo, ukulele, and six-string guitar. Smeck played at Franklin D. Roosevelt 's presidential inaugural ball in 1933, George VI's coronation review in 1937, and toured globally.
New music spurred the creation of "evolutionary variations" of the banjo, from the five-string models current since the 1830s to newer four-string plectrum and tenor banjos. [ 14 ] One of the most expensive instruments in the museum's collection dates from this era, a Gibson RB-7, made in 1938.
With development of the archtop and electric guitar, the tenor banjo largely disappeared from jazz and popular music, though keeping its place in traditional "Dixieland" jazz. Some 1920s Irish banjo players picked out the melodies of jigs, reels, and hornpipes on tenor banjos, decorating the tunes with snappy triplet ornaments.