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Chemical resist dyeing is a modern textile printing method, commonly achieved using two different classes of fiber reactive dyes, one of which must be of the vinyl sulfone type. A chemical-resisting agent is combined with dye Type A, and printed using the screenprint method and allowed to dry. A second dye, Type B, is then printed overtop.
Pigment is added by hand-painting, immersion dyeing, or both. The area of the fabric covered and permeated by the paste mixture resists the later application of dye, thus creating undyed areas within the fabric. Katazome was first invented as an inexpensive and faster alternative to highly-patterned woven brocade fabrics.
Bingata fabric 19th century ramie Ryukyuan dress showing bingata-dyed design of bamboo, cranes and plum blossoms. Bingata (Okinawan: 紅型, literally "red style") is a traditional stencilled resist dyeing technique originating in Okinawa Prefecture.
Yūzen continues to be a popular decoration technique for kimono and obi, typically used for more formal outfits, and commonly seen on kimono such as kurotomesode.Unlike other kimono dyeing techniques such as tsujigahana, yūzen has never fallen out of fashion or been forgotten as a textile decoration technique.
Discharge printing is a textile printing technique that involves the application of a discharging agent to strip dye from already-dyed cloth in order to produce a printed pattern, which can be either white or colored. It is a method to imprint a design onto dyed fabric.
Madurai Sungudi is a design from Madurai, in the Indian state of Tamil Nadu, which is an exclusive textile product traditionally produced using tie and dye (using natural dyes) method by the Saurashtrians, who migrated to Madurai under the patronage of King Thirumalai Naicker in the 17th century. [1]
These dyes, which are chemically similar to vat dyes, are developed by light instead of being applied in an oxygen-free bath and being developed in the fabric by exposure to oxygen. Inkodyes are true dyes, not fabric paints. A dye itself attaches to the fabric; fabric paint includes a glue-like binder, which imparts a stiffer feeling to the fabric.
Longquan celadon vase, 14th century; the unglazed medallions were coated with a resist before the vase was coated with liquid glaze. [1]A resist, used in many areas of manufacturing and art, is something that is added to parts of an object to create a pattern by protecting these parts from being affected by a subsequent stage in the process. [2]
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