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Textile printing is related to dyeing but in dyeing properly the whole fabric is uniformly covered with one colour, whereas in printing one or more colours are applied to it in certain parts only, and in sharply defined patterns. [1] In printing, wooden blocks, stencils, engraved plates, rollers, or silkscreens can be used to place colours on ...
Design for a hand woodblock printed textile, showing the complexity of the blocks used to make repeating patterns in the later 19th century. Tulip and Willow by William Morris, 1873. Woodblock printing on textiles is the process of printing patterns on fabrics, typically linen, cotton, or silk, by means of carved wooden blocks.
Tie-dye can be used to create a wide variety of designs on fabric, from standard patterns such as the spiral, peace sign, diamond, sunburst, and the marble effect to beautiful works of art. Using techniques such as stencils (as in screen printing using dyes or discharge pastes), clamped-on shaped blocks, and tritik (stitching and gathering ...
Bingata fabric 19th century ramie Ryukyuan dress showing bingata-dyed design of bamboo, cranes and plum blossoms. Bingata (Okinawan: 紅型, literally "red style") is a traditional stencilled resist dyeing technique originating in Okinawa Prefecture.
Discharge printing is a textile printing technique that involves the application of a discharging agent to strip dye from already-dyed cloth in order to produce a printed pattern, which can be either white or colored. It is a method to imprint a design onto dyed fabric.
Pigment is added by hand-painting, immersion dyeing, or both. The area of the fabric covered and permeated by the paste mixture resists the later application of dye, thus creating undyed areas within the fabric. Katazome was first invented as an inexpensive and faster alternative to highly-patterned woven brocade fabrics.
The fabric is permanently dyed so it can be washed without damaging the quality of the image. Advantages of dye-sublimation over other methods of textile printing: [7] images are permanent and do not peel or fade, the dye does not build up on the fabric. Colors can be extraordinarily brilliant due to the bonding of the dye to the transparent ...
When the first colour was finished, the finished fabric was set aside to dry. If more than one colour was used, once the fabric was dry, a block with the next colour would be inked and carefully impressed over the image left by the first. The same process and the same blocks could be used for making both fabrics and wallpaper.
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