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The living room is painted in Benjamin Moore’s Palladian Blue above the chair rail and Stratton Blue below it. The custom sofa is in a Schumacher stripe, and the armchair is in a Pierre Frey fabric.
The restored rooms represent the living space of the typical Venetian lord, with painted ceilings, terrazzo floors, damask upholstery, fireplaces, mirrors, wardrobes and balconies over the canal. [1] The Sala cuoi (Leather room) takes its name from the wall coverings, which are made of leather squares molded into three-dimensional patterns and ...
The dining room, to the east of the reception room, measures 36 by 25 feet (11.0 by 7.6 m) and had a serpentine marble fireplace, damask wall coverings, walnut paneling, and a dumbwaiter from the kitchen. [90]
Mary Todd Lincoln refurbished the room with damask drapes, lace curtains, wallpaper, and a new $2,500 carpet later that year. [54] [42] The wallpaper was heavy patterned velvet cloth paper from Paris in crimson, garnet, and gold, [42] [55] and supplied by William H. Carryl & Brother of New York. [56]
Rudolf Stingel (born 1956) is an artist based in New York City.. Stingel was born in Merano, Italy.His work engages the audience in dialogue about their perception of art [1] and uses conceptual painting and installations to explore the process of creation. [2]
The Chinese Luncheon Room is at the opposite end, with the Centre Room in between. [2] The room interconnects with a suite of bedrooms and dressing rooms for visitors. [1] The name of the room derives from the amber-coloured satin damask that hung in the room in the 19th century. [3] The room is 32 ft (9.8 m) in height, and is roughly square. [4]
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