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The poem was first published in 1913 and is considered one of the leading poems of the Imagist tradition. Pound's process of deletion from thirty lines [6] to only fourteen words typifies Imagism's focus on economy of language, precision of imagery and experimenting with non-traditional verse forms.
Of all of Keats's poems, "To Autumn", with its catalogue of concrete images, [16] most closely describes a paradise as realized on earth while also focusing on archetypal symbols connected with the season. Within the poem, autumn represents growth, maturation and finally an approaching death. There is a fulfilling union between the ideal and ...
This 16-line poem was sung by the title character in Poe's short story Morella, first published in April 1835 in the Southern Literary Messenger. It was later published as a stand-alone poem as "A Catholic Hymn" in the August 16, 1845 issue of the Broadway Journal .
The poem is one of Li's shi poems, structured as a single quatrain in five-character regulated verse with a simple AABA rhyme scheme (at least in its original Middle Chinese dialect as well as the majority of contemporary Chinese dialects). It is short and direct in accordance with the guidelines for shi poetry, and cannot be conceived as ...
The poem in BL Add. MS 14997, a manuscript dating from c. 1500. The academic critic Huw Meirion Edwards considered that "The Seagull"’s imagery goes far beyond anything that had come before it in Welsh poetry, [7] and Anthony Conran wrote that "pictorially it is superb…[it] has the visual completeness, brilliance and unity of a medieval illumination, a picture from a book of hours". [8]
"She Walks in Beauty" is a short lyrical poem in iambic tetrameter written in 1814 by Lord Byron, and is one of his most famous works. [2] It is said to have been inspired by an event in Byron's life. On 11 June 1814, Byron attended a party in London. Among the guests was Mrs. Anne Beatrix Wilmot, wife of Byron's first cousin, Sir Robert Wilmot ...
Longfellow wrote the poem shortly after completing lectures on German writer Johann Wolfgang von Goethe and was heavily inspired by him. He was also inspired to write it by a heartfelt conversation he had with friend and fellow professor at Harvard University Cornelius Conway Felton; the two had spent an evening "talking of matters, which lie near one's soul:–and how to bear one's self ...
"Nothing Gold Can Stay" is a short poem written by Robert Frost in 1923 and published in The Yale Review in October of that year. It was later published in the collection New Hampshire (1923), [1] which earned Frost the 1924 Pulitzer Prize for Poetry. The poem lapsed into public domain in 2019. [2]
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