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Accordion reed ranks and switches. Right-hand manual register switches. This accordion has three different voices. A reed rank inside an accordion is a single full set of the reeds that are the means to achieve the instrument's sound range. These reed ranks are located in the reed chamber. Most accordions to this date typically have between two ...
A Chemnitzer concertina is a musical instrument of the hand-held bellows-driven free-reed category, sometimes called squeezeboxes. The Chemnitzer concertina is most closely related to the bandoneón (German spelling: Bandonion), and more distantly, to the other types of concertinas and accordions. It's essentially a bigger version of the Anglo ...
The earliest types of single-reed instruments used idioglottal reeds, where the vibrating reed is a tongue cut and shaped on the tube of cane. Much later, single-reed instruments started using heteroglottal reeds, where a reed is cut and separated from the tube of cane and attached to a mouthpiece of some sort. By contrast, in an uncapped ...
A single-reed instrument is a woodwind instrument that uses only one reed to produce sound. The very earliest single-reed instruments were documented in ancient Egypt, as well as the Middle East, Greece, and the Roman Empire. [1] [page needed] The earliest types of single-reed instruments used idioglottal reeds, where the vibrating reed is a ...
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Sets of free reeds. Wikimedia Commons has media related to Sets of free reeds. In the Hornbostel-Sachs classification system, 'sets of free reeds' are designated as '412.132'.
The typical German Jubilate reed configuration in Pakistani Qawwali harmoniums is one bank of Bass (8') reeds starting on C and a bank of Male (4') reeds (octaves apart) starting on C that sound together on one note being played with an engaged (most often permanently) right action octave coupler (a mechanism located under the keyboard that ...
George Jones is often credited as the first English chromatic Anglo concertina maker. British firms active in the late 19th and early 20th centuries include those founded by Charles Wheatstone, Charles Jeffries (who built primarily Anglo-style concertinas), Louis Lachenal (who built concertinas in both English and Anglo styles and was the most prolific manufacturer of the period), and John Crabb.
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