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It comprised black dress coat with silk facings (or revers), white marcella (or the same material as coat) waistcoat, black cloth knee-breeches with three buttons and black strap fastening with black buckle, black silk stockings with plain black court shoes with bows, and white gloves. This was worn with ordinary dress shirt, collar, white bow ...
Janet Arnold (6 October 1932 – 2 November 1998) was a British clothing historian, costume designer, teacher, conservator, and author.She is best known for her series of works called Patterns of Fashion, which included accurate scale sewing patterns, used by museums and theatres alike.
The Infanta Margarita of Spain is shown here wearing a mourning dress of unrelieved black with long sleeves, cloak and hood. She wears her hair parted to one side and severely bound in braids, 1666. Two English ladies wear dresses with short sleeves over chemise sleeves gathered into three puffs. The long bodice front with curving bands of ...
Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0810963175; Baumgarten, Linda: What Clothes Reveal: The Language of Clothing in Colonial and Federal America, Yale University Press, 2002. ISBN 0300095805; Black, J. Anderson and Madge Garland: A History of Fashion, Morrow, 1975. ISBN 0688028934
Two women wearing the robe à la polonaise, literally meaning the Polish dress Jean-Michel Moreau, Le Rendez-vous pour Marly, engraved by Carl Guttenberg c. 1777.. The robe à la polonaise or polonaise, literally meaning the Polish dress, is a woman's garment of the 18th century 1770s and 1780s or a similar revival style of the 1870s inspired by Polish national dress style, costume, [1 ...
In England from the 1630s, under the influence of literature and especially court masques, Anthony van Dyck and his followers created a fashion for having one's portrait painted in exotic, historical or pastoral dress, or in simplified contemporary fashion with various scarves, cloaks, mantles, and jewels added to evoke a classic or romantic mood, and also to prevent the portrait appearing ...
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