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Piano Library: Frédéric Chopin Complete list of Chopin piano works with musical extracts, difficulty ratings and recommended editions. The Chopin Project has more information, links, resources, and audio on demand of Chopin's solo keyboard works. PDF Sheet Music from the Mutopia Project
Most of Chopin's compositions were for solo piano, although he did compose two piano concertos (his concertos No. 1 and No. 2 are two of the romantic piano concerto repertoire's most often-performed pieces) as well as some other music for ensembles. His larger scale works such as sonatas, the four scherzi, the four ballades, the Fantaisie in F ...
Ballets to the music of Frédéric Chopin (7 P) C. ... List of compositions by Frédéric Chopin by opus number; A. Allegro de concert (Chopin) B. Ballade No. 1 (Chopin)
Frédéric Chopin's compositions for piano and orchestra originated from the late 1820s to the early 1830s, and comprise three concert pieces he composed 1827–1828, while a student at the Central School of Music in Warsaw, [1] two piano concertos, completed and premièred between finishing his studies (mid 1829) and leaving Poland (late 1830 ...
In the 20th century, composers who paid homage to (or in some cases parodied) the music of Chopin included George Crumb, Leopold Godowsky, Bohuslav Martinů, Darius Milhaud, Igor Stravinsky, [233] and Heitor Villa-Lobos. [234] Chopin's music was used in the 1909 ballet Chopiniana, choreographed by Michel Fokine and orchestrated by Alexander ...
Chopin at 25, by his fiancée Maria Wodzińska, 1835. The Études by Frédéric Chopin are three sets of études (solo studies) for the piano published during the 1830s. There are twenty-seven compositions overall, comprising two separate collections of twelve, numbered Op. 10 and Op. 25, and a set of three without opus number.
Les Sylphides (French: [le silfid]) is a short, non-narrative ballet blanc to piano music by Frédéric Chopin, selected and orchestrated by Alexander Glazunov.. The ballet, described as a "romantic reverie", [1] [2] is frequently cited as the first ballet to be simply about mood and dance. [1]
In 1852, three years after Chopin's death, Franz Liszt published a piece about Chopin's mazurkas, saying that Chopin had been directly influenced by Polish national music to compose his mazurkas. Liszt also provided descriptions of specific dance scenes, which were not completely accurate, but were "a way to raise the status of these works ...