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Kōjien defines bijin-ga as a picture that simply "emphasizes the beauty of women", [1] and the Shincho Encyclopedia of World Art defines it as depiction of "the beauty of a woman's appearance". [2] On the other hand, Gendai Nihon Bijin-ga Zenshū Meisaku-sen I defines bijin-ga as pictures that explore "the inner beauty of women". [ 3 ]
Ryobiraki tansu being carried by hired porters. Woodblock print, Utagawa Toyokuni, 1807. Tansu were rarely used as stationary furniture. Consistent with traditional Japanese interior design, which featured a number of movable partitions, allowing for the creation of larger and smaller rooms within the home, tansu would need to be easily portable, and were not visible in the home except at ...
A prominent genre was bijin-ga ("pictures of beauties"), which depicted most often courtesans and geisha at leisure, and promoted the entertainments of the pleasure districts. [ 3 ] Kitagawa Utamaro ( c. 1753 –1806) made his name in the 1790s with his bijin ōkubi-e ("large-headed pictures of beautiful women") portraits, focusing on the head ...
This is a list of residences occupied by the Japanese Imperial Family, noting the seasons of the year they are traditionally occupied. Members of the Japanese Imperial Family inhabit a range of residences around Japan. Some are official imperial palaces; others are used as private residences, although they are all owned and maintained by the state.
A young woman modelling a jūnihitoe. The jūnihitoe (十二単, lit. ' twelve layers '), more formally known as the itsutsuginu-karaginu-mo (五衣唐衣裳), is a style of formal court dress first worn in the Heian period by noble women and ladies-in-waiting at the Japanese Imperial Court.
The Anglo-Japanese style developed in the United Kingdom through the Victorian era and early Edwardian era from approximately 1851 to the 1910s, when a new appreciation for Japanese design and culture influenced how designers and craftspeople made British art, especially the decorative arts and architecture of England, covering a vast array of art objects including ceramics, furniture and ...
Sideboard, 1867–1870, by Edward William Godwin (Victoria & Albert Museum) Sideboard at the Art Institute of Chicago Sideboard at the Pinakothek der ModerneThis sideboard was designed by Edward William Godwin (1833–1886), who was one of the most important exponents of Victorian Japonisme or Anglo-Japanese style, the appropriation of Japanese artistic styles.
For Chair the woman lies curled on her back, a seat cushion on her thighs and her legs acting as a back rest. Table is a woman on all fours, with a sheet of glass supported on her back. For Hat Stand the woman is standing, 1.85 metres (73 in) tall, [4] her hands upturned as hooks. Each fibreglass figure was produced from drawings by Jones.
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