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The gayageum or kayagum (Korean: 가야금; Hanja: 伽倻琴) is a traditional Korean musical instrument. It is a plucked zither with 12 strings, though some more recent variants have 18, 21 or 25 strings. It is probably the best known traditional Korean musical instrument. [1]
Gayageum (가야금; 伽倻琴) – A long zither with 12 strings; modern versions may have 13, 15, 17, 18, 21, 22, or 25 strings Geomungo ( 거문고 ) – A fretted bass zither with six to eleven silk strings that is plucked with a bamboo stick and played with a weight made out of cloth
Jung started learning to play the gayageum, a traditional Korean string instrument, at 12 years old. She said it became a big part of her life, so she continued to play it as she developed her music career. [3] She found the instrument when she started taking traditional Korean dance in elementary school.
The haegeum (Korean: 해금) is a traditional Korean string instrument, resembling a vertical fiddle with two strings; derived from the ancient Chinese xiqin.It has a rodlike neck, a hollow wooden soundbox, and two silk strings, and is held vertically on the knee of the performer and played with a bow.
Hwang Byungki (31 May 1936, in Seoul – 31 January 2018) [1] was the foremost South Korean player of the gayageum, a 12-string zither with silk strings. He was also a composer and an authority on sanjo, a form of traditional Korean instrumental music.
Korean traditional music is also known as Gugak (national music). The first evidence of Korean music appeared in the extant text of Samguk sagi (History of the three kingdoms) in 1145, which described two string-like instruments; Gayageum and Geomungo. [1] Traditional Korean music was brought to heights of excellence under the kings of the ...
North Korean instruments; North Korea has developed many modernized instruments based on traditional instruments. The sohaegeum, junghaegeum, daehaegeum, and jeohaegeum are four-stringed fiddles of varying sizes, based on the traditional haegeum. The eoeungeum is a pear-shaped lute with 5 strings that is similar to the hyangbipa.
After unification, the music of Silla experienced the influx of diverse music from Baekje and Goguryeo with the wider development of hyangak, especially in gayageum, geomungo, bipa of three string instruments and other three pipes. [15] Additionally, music from the Tang dynasty was introduced under the reign of King Munmu.