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The following other wikis use this file: Usage on es.wikipedia.org Anni Albers; Usuario:Carolina db/Taller; Mujeres de la Bauhaus; Usage on eu.wikipedia.org
In 1925, Fleischmann married Josef Albers, the latter having rapidly become a "Junior Master" at the Bauhaus. [6] The school moved to Dessau in 1926, and a new focus on production rather than craft at the Bauhaus prompted Anni Albers to develop many functionally unique textiles combining properties of light reflection, sound absorption, durability, and minimized wrinkling and warping tendencies.
A drawback of a tool board is that it may occupy a large area on a wall, and that the tools can get less protection from dust. Some recommend to hang heavier tools like hammers at the bottom, [2] [3] and especially wooden tool boards may bend or break from heavy tools if the board is made of fiberboard or other weaker materials. [1]
Architype Albers is a modular stencil sans-serif typeface based upon a series of experiments between 1926 and 1931 by Josef Albers (1888–1976), German designer, educator and typographer. The Architype Albers typeface is one of a collection of several revivals of early twentieth century typographic experimentation designed by Freda Sack and ...
English: Anni Albers (1899–1994) Design for a Rug 1927 Black ink and watercolour over graphite with drawn and cut paper additions on off-white wove paper Image: 21 x 15.6 cm Sheet: 32.1 x 25.1 cm Harvard Art Museums, Cambridge, Massachusetts
Historically, it was also known as the workshop system and the domestic system. In putting-out, work is contracted by a central agent to subcontractors who complete the project via remote work . It was used in the English and American textile industries, in shoemaking , lock -making trades, and making parts for small firearms from the ...
French cleat on a wall (left) and correspondingly on a shelf to be hung up (right) A French cleat is a way of securing a cabinet , mirror, tools, artwork or other objects to a wall. [ 1 ] It is a molding with a 45 degree slope used to hang cabinets or other objects.
The Albers Foundation, the main beneficiary of the estates of both Josef and Anni Albers, remains protective of the artist's work and reputation. In 1997, one year after the auction house, Sotheby's, bought the Andre Emmerich Gallery, the Josef and Anni Albers Foundation did not renew its three-year contract with the gallery. [59]