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An interactive video for the song directed by Josh Lloyd and Charlie Di Placido [1] was released in July 2023, [5] which was released in standard form on YouTube the following month. The video was choreographed by the Dutch dancer Shay Latukolan .
"Friday" – a 2011 music video sung by 13-year-old Rebecca Black, partially funded by her mother, received over 200 million views on YouTube [142] and spread in popularity through social media services. [143] "Gokuraku Jodo" – a J-pop song by Japanese pop duo Garnidelia. The song was released on July 28, 2016, accompanied with a dance music ...
A music video was released onto YouTube on 28 February 2014. [8] It was directed by JLW and Oliver Hadlee Pearch and features the large dance ensemble featured on the band's debut album performing a choreographed routine in a large warehouse caused to shake by the track, and follows the theme of the first two videos "Platoon" and "The Heat".
The song suggests that by dancing "the bird", one can overcome their troubles. "The Bird" uses both a drum machine and live drumming by Jellybean Johnson. [2] A "Dance Remix" of the song was released as a 12" single.
Loving in Stereo is the third studio album by British electronic band Jungle, released on 13 August 2021.It is their first release on their own independent label, Caiola Records, and is marketed and distributed by AWAL (a division of Sony Music).
The Jungle Book Groove Party loosely follows the story of The Jungle Book film, going through Mowgli's journey to the Man Village and the creatures he encounters along the way. The game is played in the style of Dance Dance Revolution with some differences, and can be played with either a standard controller or a dance pad. Arrows come down the ...
The song was released on October 28, 2014 by Epic Records and Syco Music as the record's second single. It was written by Jonas Jeberg, Meghan Trainor and Sean Douglas, and produced by Jeberg and Harvey Mason Jr. Musically, "Sledgehammer" is a synthpop song with influences of electronic dance music, new wave and 1980s pop music.
Mistreemagazine.co.uk noted that the song "has been defined as a raw number which sees the band strip themselves of their pop hooks and dance beats" whilst commending it for being "emotionally raw" and "not without a pop hook or a contagious beat that keeps you hitting replay", concluding that it was "a pop-fuelled track and it's bloody brilliant.