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Hindustani (sometimes called Hindi–Urdu) is a colloquial language and lingua franca of Pakistan and the Hindi Belt of India. It forms a dialect continuum between its two formal registers: the highly Persianized Urdu, and the de-Persianized, Sanskritized Hindi. [2] Urdu uses a modification of the Persian alphabet, whereas Hindi uses Devanagari ...
Dutch - the masculine and the feminine have merged into a common gender in standard Dutch, but a distinction is still made by many when using pronouns. In South-Dutch (Flemish) spoken language all articles, possessives and demonstratives differentiate between masculine and feminine: see gender in Dutch grammar .
And even with nouns referring to persons, one could not always determine gender by meaning or form: for example, with two words ending in -mæg, there was the female-specific neuter noun wynmæg, meaning "winsome maid" or attractive woman; as well as the gender-neutral noun meaning "paternal kindred" or member of father's side of the family ...
The name Urdu was first introduced by the poet Ghulam Hamadani Mushafi around 1780. [29] [30] As a literary language, Urdu took shape in courtly, elite settings. [76] [77] While Urdu retained the grammar and core Indo-Aryan vocabulary of the local Indian dialect Khariboli, it adopted the Perso-Arab writing system, written in the Nastaleeq style.
The meaning conveyed is the doer went somewhere to do something and came back after completing the action. This can also mean "to know how to" in the indefinite/habitual present tense – to know how to do: karnā ānā 1. karnā: 1. kar ānā "to finish (and come back)", "to do (and return)"; cuknā "to have (already) completed something"
Light verbs in Hindi–Urdu can combine with another verb, an adjective, adverb or even a borrowed English verb or noun. [8] The light verb loses its own independent meaning and instead "lends a certain shade of meaning" [ 9 ] to the main or stem verb, which "comprises the lexical core of the compound" . [ 10 ]
The Urdu ghazal makes use of a store of common characters, settings, images, and metaphors that inform both readers and poets of how to navigate the aforementioned ghazal universe. [33] These tropes have been cultivated for hundreds of years and are meant to deeply resonate with listeners of the ghazal, invoking their expectations of meaning. [33]
Hindustani is extremely rich in complex verbs formed by the combinations of noun/adjective and a verb. Complex verbs are of two types: transitive and intransitive. [3]The transitive verbs are obtained by combining nouns/adjectives with verbs such as karnā 'to do', lenā 'to take', denā 'to give', jītnā 'to win' etc.