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SATB/SATB" is used when a double choir is required, as in Penderecki's Polish Requiem. [6] or SSATB, with divided sopranos, is a typical scoring in English church music. [5]: 322 [7] A listing for Bach's Mass in B minor includes the maximum of SSATB soloists and SSAATTBB eight-part choir and also indicates that it contains choral movements for ...
cross-indexing of choral music using criteria including musical genre, period, and number and voicing of choral parts; composer information; description and performance considerations can be included for works; contents of collections of choral music; community discussion such as through "Talk" pages related to composers or specific works.
Bach's chorale harmonisations are all for a four-part choir (SATB), but Riemenschneider's and Terry's collections contain one 5-part SSATB choral harmonisation (Welt, ade! ich bin dein müde, Riemenscheider No. 150, Terry No. 365), not actually by Bach, but used by Bach as the concluding chorale to cantata Wer weiß, wie nahe mir mein Ende, BWV 27.
Sheet music, primarily vocal music of American imprint, dating from the 18th century to the present, with most titles in the period 1840–1950. John Hay Library at Brown University: ART SONG CENTRAL: downloadable, IPA transcriptions, vocal: 1,000 Printable sheet music primarily for singers and voice teachers—most downloadable.
Peloquin wrote more than 150 scores. Most of his music is written for SATB choir and soloists as well as for women's voices (SSA), men's voices (3 parts) and involves a combination of piano, organ and orchestra. Peloquin also made a point of composing melodies with simple refrains to encourage participation of the congregation.
Pages in category "Choral compositions by Ludwig van Beethoven" The following 4 pages are in this category, out of 4 total. This list may not reflect recent changes .
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The words are by Cecil Frances Alexander and were first published in her Hymns for Little Children of 1848. The hymn is commonly sung to the hymn tune All Things Bright And Beautiful, composed by William Henry Monk in 1887. Another popular tune is Royal Oak, adapted from a 17th-century English folk tune, "The 29th of May".