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The most famous poet using this style was the 4th-century poet Su Hui, who wrote an untitled poem now called "Star Gauge" (Chinese: 璇璣圖; pinyin: xuán jī tú). [1] This poem contains 841 characters in a square grid that can be read backwards, forwards, and diagonally, with new and sometimes contradictory meanings in each direction. [2]
In Young Girl Reading, color helps convey emotion and mood. Fragonard used a typical Rococo color scheme, which consisted of soft, delicate colors and hues of gold. The pillow's violet tint, the darker-toned walls and armrest, and the female subject's rosy-toned skin and bright-yellow dress help create the illusion of warmth and joy, and a sense of sensuality.
The girl is sitting on a chair with no shoes, reading a book written by poet and playwright Giovanni Battista Niccolini. On the original sculpture, lines from the text can be read: one of them is celebrating the freedom of Lombardy from Austrian Empire persecution after the Revolutions of 1848 with an emotive expression with a tear on her cheek.
Adds a block quotation. Template parameters [Edit template data] Parameter Description Type Status text text 1 quote The text to quote Content required char char The character being quoted Example Alice Content suggested sign sign 2 cite author The person being quoted Example Lewis Carroll Content suggested title title 3 The title of the poem being quoted Example Jabberwocky Content suggested ...
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The painting of Cupid on the wall behind the girl resembles a painting from Vermeer's own collection of art, a painting by Cesar van Everdingen. [2] The restoration provides an opportunity to reconsider the painting. The painting of Cupid on the wall may suggest that the girl is reading a love letter.
A girl who was born with an extremely rare lower-limb deformity can now walk, after her family traveled across the Atlantic for her surgery. Girl born with backward legs walks for first time Skip ...
The three paintings, along with four other art works by Rockwell, were sold by the descendants of Kenneth J. Stuart, the art director of The Saturday Evening Post. The sale of the art works was initiated after the conclusion of a legal disagreement among Stuart's sons. [1]