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Brazilian literary nationalism began in the 1840s with the works of José de Alencar, who used French literary models to describe the regions and social milieus of Brazil. [8] Nationalist literary works became more complex in the second half of the 19th century.
19th; 20th; 21st; 22nd; 23rd; 24th; Pages in category "19th-century Brazilian painters" The following 32 pages are in this category, out of 32 total. ...
The oldest known art in Brazil is the cave paintings in Serra da Capivara National Park in the state of Piauí, [1] dating back to c. 13,000 BC. More recent examples have been found in Minas Gerais and Goiás, showing geometric patterns and animal forms.
Brazilian painting, or visual arts, emerged in the late 16th century, influenced by the Baroque style imported from Portugal.Until the beginning of the 19th century, that style was the dominant school of painting in Brazil, flourishing across the whole of the settled territories, mainly along the coast but also in important inland centers like Minas Gerais.
Into the twentieth century, many Latin American artists continued to be schooled in the traditional 19th-century style, resulting in a continued emphasis on figurative work. Due to the far reach of figuration, the work often spans upon a number of different styles such as Realism , Pop art , Expressionism , and Surrealism , only naming a few.
Brazilian Romantic painting was the leading artistic expression in Brazil during the latter half of the 19th century, coinciding with the Second Reign. It represented a unique evolution of the Romantic movement ; it diverged significantly from its European counterpart and even the parallel Romantic movement in Brazilian literature .
On February 19, 2023, Switzerland offered to help Brazil restore the French 17th century clock (made by Balthazar Martinot and targeted by a Bolsonaro supporter during the attacks) in a partnership with Swiss watchmaker company Audemars Piguet, which was accepted by the Brazilian Culture ministry. [17]
His early years are obscure and the few sources provide conflicting information. [1] Victor Meirelles de Lima was the son of Portuguese immigrant Antônio Meirelles de Lima and Brazilian Maria da Conceição dos Prazeres, merchants who lived with limited economic resources in the city of Nossa Senhora do Desterro (now Florianópolis). [2]