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Ramsgate Sands, also known as Life at the Seaside, is an oil-on-canvas painting by the English artist William Powell Frith, who worked on it from 1851 to 1854.The painting, which depicts a beach scene in Ramsgate, was Frith's first great commercial success: it was exhibited at the Royal Academy summer exhibition in 1854, and bought by Queen Victoria.
Midsummer Eve Bonfire on Skagen Beach (Danish: Sankt Hansblus på Skagen strand) is a 1906 painting by the Danish artist P.S. Krøyer.The large work, which took several years to complete, shows many of the artists in the group known as the Skagen Painters as well as influential members of Skagen's local community.
During the 1970s John Miller emerged as a cultural figurehead within Cornwall. He became well known as a painter of popular, Monet-like Cornish scenes (many of which were cheaply reproduced as prints for the tourist trade), as an art teacher, a television personality, a patron of local charities and an active supporter of the Church of England.
His experience of French art can be seen in several of his later Skagen paintings, including Tired (1885) and Braiding Her Hair (1888) in which the mother and child unusually have their backs facing the observer. [52] His lighter palette with bold brushstrokes and contrasting tones of blue, red and green give the painting a deeper texture. [51]
At least some of the work was painted en plein air, as evidenced by beach sand embedded within the paint, discovered later by conservators.Its composition and bridge show the influence of Japanese art; a similar bridge motif was commonly used by the American painter James McNeill Whistler, a major influence on Conder and other members of the Heidelberg School. [3]
Bathers at Asnières (French: Une Baignade, Asnières) is an 1884 oil on canvas painting by French artist Georges Pierre Seurat, the first of his two masterpieces on the monumental scale. The canvas is of a suburban, placid Parisian riverside scene.
Bondi Beach—also known as Unfinished Beach Polyptych—is a 1992 painting by Australian artist Brett Whiteley. The painting is a six-panel work depicting the eponymous Bondi Beach in Sydney. [1] The work was unfinished at the time of his death in 1992. [2] "When Brett started to do this he had the idea in mind and he talked about it extensively,"
Manet, On the Beach, 1873. Compositionally, the painting departs from the conventions of the era. Gauguin crowds the two figures into the space of the canvas, yet they are completely independent of one another. [11]: 236 Art historians have compared this aspect of the work to the treatment of figures in Manet's On the Beach. [9]: 236
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