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Cream were a 1960s British rock power trio consisting of drummer Ginger Baker, guitarist/singer Eric Clapton and bassist/singer Jack Bruce. While together they released four albums , the last two being partly recorded live in concert, and ten singles .
[9] [10] The American record company issued the album with an alternative cover, with a photograph of the band on the front, as well as the original cover. The cover art was created by Seidemann, a friend and former flatmate of Clapton, who is primarily known for his photos of Janis Joplin and the Grateful Dead. In the mid-1990s, in an ...
The album was also released as two single LPs, Wheels of Fire (In the Studio) and Wheels of Fire (Live at the Fillmore), with similar cover art. In the UK the studio album art was black print on aluminum foil, while the live album art was a negative image of the studio cover; In the Studio charted as high as No. 7 in that country, [12] although ...
Disraeli Gears is the second studio album by the British rock band Cream. It was produced by Felix Pappalardi and released on Reaction Records. The album features the singles "Strange Brew" and "Sunshine of Your Love". The original 11-track album was remastered in 1998, and then subsequently released as a two-disc Deluxe Edition in 2004.
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Those Were the Days is a retrospective compilation of music recorded by the British rock band Cream, released on 23 September 1997.It comprises four compact discs and includes almost every studio track released during the band's active lifetime, with the exception of the original "Passing The Time" from Wheels of Fire, and all but three tracks from the live material recorded in 1968 and ...
Live Cream (also called Live Cream, Volume 1) is a live compilation album by the British rock band Cream, released in 1970. This album comprises four live tracks recorded in 1968 and one studio track "Lawdy Mama" from 1967. The instrumental track for "Lawdy Mama" is the same as heard on "Strange Brew" with a different vocal and guitar solo by ...
Cream performing on Dutch television in January 1968. The album was originally slated for release in the summer of 1967, but the record label opted to scrap the planned cover and repackage it with a new psychedelic cover, designed by artist Martin Sharp, and the resulting changes delayed its release for several months.