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Bi-amping is the use of two channels of amplification to power each loudspeaker within an audio system. Tri-amping is the practice of connecting three channels of amplification to a loudspeaker unit: one to power the bass driver ( woofer ), one to power the mid-range and the third to power the treble driver ( tweeter ).
A DJ gets his decks ready as the speaker cabinets are set up and readied for a dance event. A challenge with designing sound systems for clubs is that the sound system may need to be used for both prerecorded music played by DJs and live music. A club system designed for DJs needs a DJ mixer and space for record players. In contrast, a live ...
In a concert setting, there are typically two complete PA systems: the "main" system and the "monitor" system. Each system consists of a mixing board, sound processing equipment, amplifiers, and speakers. The microphones that are used to pick up vocals and amplifier sounds are routed through both the main and monitor systems.
An A/B sound system is a type of sound reinforcement system or public address system. Unlike a more typical sound reinforcement system, an A/B sound system provides two electrically isolated signal paths from microphone to speaker, resulting in a system where signals from two microphones only interact acoustically and never interact electronically.
The .2 of the 10.2 refers to the addition of a second subwoofer. The system is bass managed such that all the speakers on the left side use the left sub and all the speakers on the right use the right sub. The Center and Back Surround speakers are split among the two subs. The two subs also serve as two discrete LFE (Low Frequency Effects ...
The system is arranged in such a way that the outputs from the amplifiers are inverted with respect to each other. In other words, as the signal in one amplifier is swinging positively, the signal in the other is swinging negatively. When the output of one amplifier is at +10 volts the output of the other will be at −10 volts, and vice versa.
Danley was an early adopter of the Crown Tecron TEF (time-energy-frequency) audio analysis system, introduced in 1983, and he used a TEF-10 portable test rig to measure his audio experiments. At the request of the same documentary producer, in the 1990s Danley used a TEF-12 analyzer to assess the acoustics inside the Great Pyramid of Giza .
Berghain is one of the company's largest installs, and the first in Berlin. [6] At its launch, the sound system comprised four Funktion-One Dance Stacks (consisting of a DS210, a DS215 and three F218), one Double Infrahorn (consisting of two Infrabass, one Doublehorn Extension), and two Resolution 2 for monitoring. [12]
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