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There are several variations of the dance. The original choreography has 22 steps, [5] but variants include the Freeze (16-step), Cowboy Motion (24-step), Cowboy Boogie (24 step), and the Electric Slide 2 (18-step). The 18-step variation became popular in 1989 and for ten years was listed by Linedancer Magazine as the number-one dance in the world.
The local popularity of the dance and record in Baltimore, Maryland, came to the attention of the producers of The Buddy Deane Show in 1960, which led to other dance shows picking it up. [2] The Madison is a line dance that features a regular back-and-forth pattern interspersed with called steps. Its popularity inspired dance teams and ...
The country/western two-step, often called the Texas two-step [2] or simply the two-step, [3] is a country/western dance usually danced to country music in common time. "Traditional [Texas] two-step developed, my theory goes, because it is suited to fiddle and guitar music played two-four time with a firm beat [found in country music].
In line dancing the term chassé is used for a triple-step sequence in any direction (forward, side, back, diagonally, or curving). For instance, if the chassé is to be done to the right, the right foot steps right, the left foot is placed next to the right, with the weight being transferred to the left foot so that the right foot can complete ...
In the 1990s, the hit Spanish dance song "Macarena" inspired a popular line dance. [22] A line dance for the 1990 Asleep at the Wheel single "Boot Scootin' Boogie" was choreographed by Bill Bader. [23] [24] The 1992 Brooks & Dunn cover of the song has resulted in there being at least 16 line dances with "Boot Scootin' Boogie" in the title. [25]
In its standard form, the anchor step consists of three steps with the syncopated rhythm pattern “1-and-2” (counted, e.g., as “5-and-6” in 6-beat dance moves) and the general directions of steps “back, replace, back (and slightly sideways)” danced almost in place. The leader dances R-L-R feet, the follower dances L-R-L.
A count may also be called a step, as contra dance is a walking form, and each count of a dance typically matches a single physical step in a figure. Typical contra dance choreography comprises four parts, each 16 counts (8 measures) long. The parts are called A1, A2, B1 and B2. This nomenclature stems from the music: Most contra dance tunes ...
The dance form is very free regarding figures. The dancers must remain one in front of the other, and keep their bodies parallel to each other at all times, leaning slightly to the left. They must give one step per tempo. The left hand of the male and the right hand of the woman must remain united almost permanently.