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Plateresque, meaning "in the manner of a silversmith" (plata being silver in Spanish), was an artistic movement, especially architectural, developed in Spain and its territories, which appeared between the late Gothic and early Renaissance in the late 15th century and spread over the next two centuries.
The subsequent course of Spanish history added new elements to the country's culture and traditions. The Visgoths established a united Hispania and kept the Latin and Christian legacy in Spain between the fall of the Roman Empire and the Early Middle Ages . [ 2 ]
Park Güell (Catalan: Parc Güell [ˈpaɾɡ ˈɡweʎ]; Spanish: Parque Güell) is a privatized park system composed of gardens and architectural elements located on Turó del Carmel, in Barcelona, Catalonia, Spain. Turó del Carmel belongs to the mountain range of Collserola – the Parc del Carmel which is located on the northern face.
Spanish Renaissance architecture emerged in the late 15th century as Renaissance ideals reached Spain, blending with existing Gothic forms. Rooted in Renaissance humanism and a renewed interest in Classical architecture , [ 1 ] the style became distinguished by a synthesis of Gothic and Italian Renaissance elements.
A remarkable convergence of Spanish, French and Dutch Baroque aesthetics may be seen in the Abbey of Averbode (1667). Another characteristic example is the Church of St. Michel at Louvain (1650–70), with its exuberant two-storey façade, clusters of half-columns, and the complex aggregation of French-inspired sculptural detailing.
Azulejo (Portuguese: [ɐzuˈle(j)ʒu, ɐzuˈlɐjʒu], Spanish:; from the Arabic الزليج, al-zillīj) [1] [2] is a form of Portuguese and Spanish painted tin-glazed ceramic tilework. Azulejos are found on the interior and exterior of churches , palaces , ordinary houses, schools, and nowadays, restaurants, bars and even railways or subway ...
During the Baroque, the ornamental, contrived and ornate character of the art of this time conveyed a transitory sense of life, related to the memento mori, the ephemeral value of riches in the face of the inevitability of death, in parallel to the pictorial genre of the vanitas. This sentiment led to a vitalist appreciation of the fleetingness ...
Asturian Pre-Romanesque is a singular feature in all Spain, which, while combining elements from other styles (Visigothic, Mozarabic and local traditions), created and developed its own personality and characteristics, reaching a considerable level of refinement, not only as regards construction, but also in terms of decoration and gold ornamentation.