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In music, four note group patterns, alternately called "four-note digital patterns" [1] or simply "four note patterns", are one of many ways to formulate improvised solos in jazz. "Four-Note Grouping is an improvisation technique that uses major and minor triads along with specific passing notes as a means of generating lines.
Harmonic table note layout. The Harmonic Table note-layout , or tonal array, is a key layout for musical instruments that offers interesting advantages over the traditional keyboard layout. Its symmetrical, hexagonal pattern of interval sequences places the notes of the major and minor triads together.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
In bluegrass music, a banjo roll or roll is a pattern played by the banjo that uses a repeating eighth-note arpeggio – a broken chord – that by subdividing the beat 'keeps time'. "Each ["standard"] roll pattern is a right hand fingering pattern, consisting of eight (eighth) notes, which can be played while holding any chord position with ...
The so-called "bossa nova clave" (or "Brazilian clave") has a similar rhythm to that of the son clave, but the second note on the two-side is delayed by one pulse (subdivision). The rhythm is typically played as a snare rim pattern in bossa nova music. The pattern is shown below in 2 4, as it is written in Brazil. In North American charts it is ...
Alberti bass is a kind of broken chord or arpeggiated accompaniment, where the notes of the chord are presented in the order lowest, highest, middle, highest. This pattern is then repeated several times throughout the music. [5] The broken chord pattern helps to create a smooth, sustained, flowing sound on the piano.
In music and music theory, a non-retrogradable rhythm is a rhythmic palindrome, i.e., a pattern of note durations that is read or performed the same either forwards or backwards. [43] The term is used most frequently in the context of the music of Olivier Messiaen.
Several early examples are variations on the pattern that do not strictly use the "eighth note followed by two sixteenth notes", but nonetheless have been identified as gallops. "Hard Lovin' Man" – Deep Purple (Deep Purple in Rock, 1970) [7] "Immigrant Song" – Led Zeppelin (Led Zeppelin III, 1970) [8]
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