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Admonishing the Bishops is an EP by the band Thinking Fellers Union Local 282, released as a CD and 10" vinyl record on October 26, 1993, through Matador Records.The EP's title refers to Alan and Rick Bishop of the Sun City Girls with whom the Thinking Fellers had toured with the previous year.
Thinking Fellers Union Local 282. Mark Davies – instruments; Anne Eickelberg – instruments; Brian Hageman – instruments; Jay Paget – instruments; Hugh Swarts – instruments, answering machine message on "The Invitation" Production and additional personnel. Greg Freeman – production, engineering; Matt Hall – painting
Strangers from the Universe is an album by the American band Thinking Fellers Union Local 282, released in 1994 through Matador Records. [1] [2] The band supported the album by touring with Live. [3] Strangers from the Universe was a moderate commercial success. [4] Mark Davies used an Optigan keyboard on some of the tracks. [5] It was reissued ...
Thinking Fellers Union Local 282 (often shorted to 'Thinking Fellers' or 'TFUL282') was an American indie rock band, which was formed in 1986 in San Francisco, California though half of its members are from Iowa. [1] [2] Their albums combine lo-fi noise rock and ambient sounds (referred to as "Feller filler") [3] with tightly constructed rock ...
Thinking Fellers Union Local 282. Paul Bergmann – drums, accordion, vocals; Mark Davies – guitar, bass guitar, vocals; Anne Eickelberg – bass guitar; Brian Hageman – guitar, tape, vocals; Hugh Swarts – guitar, vocals; Production and additional personnel. Kevin Barnard – design; Gib Curry – photography; Greg Freeman – production ...
Mother of All Saints is an album by the American band Thinking Fellers Union Local 282. [ 1 ] [ 2 ] It was released in 1992 through Matador Records . [ 3 ] The band supported the album by playing shows with Bailter Space .
Thinking Fellers Union Local 282. Mark Davies – vocals, guitar, banjo Anne Eickelberg – vocals, bass guitar, piano Brian Hageman – vocals, guitar, mandolin, tape Jay Paget – drums, percussion, keyboards
At the time, as a cost-cutting measure, most industry record pressing plants were using recycled or "reground" vinyl, taking old and unsold records, cutting out the center with the paper labels, then melting the rest down and reusing the material to make new records. Such "reground" vinyl records typically sounded much noisier and scratchier ...