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Steve Perry's face superimposed over a bed of skulls, one of many surreal images from the 1998 "Zoot Suit Riot" video. Two separate music videos were filmed for "Zoot Suit Riot". The first, directed by Isaac Camner, was produced by the Daddies and filmed at the Café Du Nord nightclub in San Francisco, California.
"Zoot Suit" b/w "I'm the Face" was reissued in 1980 and reached #49 in the UK. "Zoot Suit" (short mono version) is the opening track from the compilation album The Who Hits 50! released in October 2014. Both songs were featured on the Thirty Years of Maximum R&B box set (short remixed stereo versions).
After emerging as a successful regional band and eventually becoming a consistent staple of the West Coast third wave ska touring circuit, the Daddies broke into the musical mainstream with their 1997 album Zoot Suit Riot, a compilation of swing songs culled from the band's first three albums.
[7] [12] Zoot Suit Riot was re-issued and given national distribution by Mojo on July 1, 1997, less than four months after its original release. By October 1997, the rising mainstream popularity of swing music had resulted in consistently steady sales of Zoot Suit Riot , motivating Mojo to release the album's title track as a single and ...
The album keeps the Who tracks in the same order as the original double album and begins with the two High Numbers tracks. (Note: Prior to deciding on the name The Who they were called The High Numbers for a short period in summer 1964.) "I'm the Face" (The High Numbers) – 2:31 "Zoot Suit" (The High Numbers) – 2:00 "I Am the Sea" – 2:03
[24] The 1933 film International House featured Calloway performing his classic song, "Reefer Man", a tune about a man who smokes marijuana. [25] Fredi Washington was cast as Calloway's love interest in Cab Calloway's Hi-De-Ho (1934). [26] Lena Horne made her film debut as a dancer in Cab Calloway's Jitterbug Party (1935). [27]
"Music Box Dancer" is an instrumental piece by Canadian musician Frank Mills that was an international hit in the late 1970s. It features an arpeggiated piano theme in C-sharp major (enharmonic to D-flat major ) designed to resemble a music box , accompanied by other instruments playing a counterpoint melody as well as a wordless chorus.
"Music Box Dancer" was Mills' only US Top 40 pop hit. The follow-up, another piano instrumental, "Peter Piper", peaked at number 48 on the Billboard Hot 100 but became a Top 10 hit on the Billboard Adult Contemporary chart. [7] Mills managed one final Adult Contemporary chart entry, "Happy Song", which peaked at number 41 at the beginning of ...