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Francis Bacon: Human Presence contains enough variety of works in its climactic sections to account for the stronger and weaker aspects of the later Bacon, while veering thankfully towards the former.
The Three Studies are generally considered Bacon's first mature piece; [3] he regarded his works before the triptych as irrelevant, and throughout his life tried to suppress their appearance on the art market. When the painting was first exhibited in 1945 it caused a sensation and established him as one of the foremost post-war painters.
Francis Bacon (28 October 1909 – 28 April 1992) was an Irish-born British figurative painter known for his raw, unsettling imagery. Focusing on the human form, his subjects included crucifixions, portraits of popes, self-portraits, and portraits of close friends, with abstracted figures sometimes isolated in geometrical structures.
The Novum Organum, fully Novum Organum, sive Indicia Vera de Interpretatione Naturae ("New organon, or true directions concerning the interpretation of nature") or Instaurationis Magnae, Pars II ("Part II of The Great Instauration"), is a philosophical work by Francis Bacon, written in Latin and published in 1620.
Three Figures in a Room is a 1964 oil-on-canvas triptych painting by British artist Francis Bacon. Each panel measures 198 × 147 centimetres (78 × 58 in) and shows a separate view of his lover George Dyer, whom Bacon first met in 1963. It is the first of Bacon's works to feature Dyer, a model to whom he returned repeatedly in his paintings.
Francis Bacon, Three Studies for a Crucifixion, 1962, Guggenheim Museum in New York Three Studies for a Crucifixion is a 1962 triptych oil painting by Francis Bacon.It was completed in March 1962 and comprises three separate canvases, each measuring 198.1 by 144.8 centimetres (6 ft 6.0 in × 4 ft 9.0 in).
Fragment of a Crucifixion is an unfinished 1950 painting by the Irish-born figurative painter Francis Bacon.It shows two animals engaged in an existential struggle; the upper figure, which may be a dog or a cat, crouches over a chimera and is at the point of kill.
Franic Bacon, Three Studies of the Male Back, 1970. Three Studies of the Male Back is a 1970 oil-on-canvas triptych by the British painter Francis Bacon. Typical of Bacon's figurative but abstract and distorted style, it depicts male figures isolated within flat nondescript interior spaces. Each figure is a portrait of Bacon's lover George Dyer.