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Objet d’art: The Gatchina Palace Egg contains a miniature of the Gatchina Palace of Catherine the Great.. In art history, the French term objet d'art (/ ˌ ɒ b ʒ eɪ ˈ d ɑːr / ⓘ; French pronunciation: [ɔbʒɛ daʁ]) describes an ornamental work of art, and the term objets d’art describes a range of works of art, usually small and three-dimensional, made of high-quality materials ...
an ordinary object, such as a piece of driftwood, a shell, or a manufactured article, that is treated as an objet d'art because it is aesthetically pleasing. [64] In French, les objets trouvés, short for le bureau des objets trouvés, means the lost-and-found, the lost property. outré out of the ordinary, unusual.
Marcel Duchamp, Fountain, 1917; photograph by Alfred Stieglitz. A found object (a calque from the French objet trouvé), or found art, [1] [2] [3] is art created from undisguised, but often modified, items or products that are not normally considered materials from which art is made, often because they already have a non-art function. [4]
Grammatical abbreviations are generally written in full or small caps to visually distinguish them from the translations of lexical words. For instance, capital or small-cap PAST (frequently abbreviated to PST) glosses a grammatical past-tense morpheme, while lower-case 'past' would be a literal translation of a word with that meaning.
In a late interview (Schwarz 203), Duchamp gives a loose translation of L.H.O.O.Q. as "there is fire down below". Francis Picabia , in an attempt to publish L.H.O.O.Q. in his magazine 391 could not wait for the work to be sent from New York City, so with the permission of Duchamp, drew the moustache on Mona Lisa himself (forgetting the goatee).
As a representational painting Las Meninas is a new episteme (way of thinking) that is at the midpoint between two "great discontinuities" in European intellectualism, the Classical and the modern: "Perhaps there exists, in this painting by Velázquez, the representation, as it were, of Classical representation, and the definition of the space ...
Object ("The Luncheon in Fur"), known in English as Fur Breakfast or Breakfast in Fur, is a 1936 sculpture by the surrealist Méret Oppenheim, consisting of a fur-covered teacup, saucer and spoon. The work, which originated in a conversation in a Paris cafe, is the most frequently-cited example of sculpture in the surrealist movement.
Nuage articulé (Articulated cloud) is a surrealist object in the form of an assemblage by Wolfgang Paalen produced in 1937. The object consists of an umbrella covered with natural sponges and was one of the most significant objects at the Exposition Internationale du Surréalisme, which was held in Paris at the Wildenstein Gallery in 1938. It ...