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All the People Said Amen has received generally favorable reviews from the seven music critics. Davis of New Release Tuesday called the release "his most dynamic." At Worship Leader, Furbeck proclaimed that the release is "the apex of Matt Maher's considerable musical expression to date", and found the album contained "a gift of songs for the Church of today". [8]
All the People Said Amen: 2014 "All the People Said Amen" 6 4 7 RIAA: Gold [49] "Hope Can Change Everything" (with Francesca Battistelli, Jeremy Camp, Jamie Grace, Bart Millard, and Sidewalk Prophets) 14 21 — non-album single "Because He Lives (Amen)" 3 1 1 RIAA: Gold [49] Saints and Sinners: 2015 "Deliverer" 18 18 15 2016 "Abide with Me ...
All the People Said Amen; B. The Best of Plumb; C. Chronology Volume 1; E. The Essential Jars of Clay; G. Greatest Hits (Jars of Clay album) J. Jar of Gems; W. The ...
All the People Said Amen (2013) The Love in Between is the third studio album by contemporary Christian musician Matt Maher , released on September 20, 2011.
It should only contain pages that are Matt Maher albums or lists of Matt Maher albums, as well as subcategories containing those things (themselves set categories). Topics about Matt Maher albums in general should be placed in relevant topic categories .
[9] Tony Cummings, giving the album a nine out of ten rating for Cross Rhythms, writes, "this album is a work of inspiring craftsmanship." [ 3 ] Former CCM Magazine editor, Lindsay Williams, rating the album five out of five stars for The Sound Opinion, recognizes, " Saints & Sinners positions Maher as more than a songwriter content to sit in ...
The RCA Albums Collection (Harry Nilsson box set) Reggae Gold 2013; Reloaded (DJ BoBo album) The Remixes, Vol. 1; Retrospective (Monkey House album) Rich Gang (album) Rkives; The Rough Guide to Acoustic Africa; The Rough Guide to African Disco; The Rough Guide to Arabic Revolution; The Rough Guide to the Music of Senegal; The Rough Guide to Voodoo
Say Amen, Somebody gives an overview of the history of gospel music in the U.S. by following two main figures: Thomas A. Dorsey, considered the "Father of Gospel Music," 83 at the time of filming, recalls how he came to write his most famous song, "Take My Hand, Precious Lord" (1932), and the difficulty he faced introducing gospel blues to black churches in the early 1930s.
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