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The Magnificat (Latin for "[My soul] magnifies [the Lord]") is a canticle, also known as the Song of Mary or Canticle of Mary, and in the Eastern Orthodox Church as the Ode of the Theotokos (Greek: Ἡ ᾨδὴ τῆς Θεοτόκου).
Vivaldi structured the Magnificat, RV 610, in nine movements, eight for the text of the canticle (Luke 1:46-55) and the conclusion for the doxology.Set in G minor, it is scored for two soprano soloists, alto and tenor soloists, SATB choir, two oboes, violin I and II, viola, and basso continuo, such as cello and a keyboard instrument.
These liturgies include the Magnificat hymn, which is one of the eight most ancient Christian hymns—perhaps the earliest, according to historian Marjorie Reeves. It is named after its first word in the 4th-century Vulgate Bible, based on Luke 1:46–55 , and is widely used by Roman Catholics, Anglicans, and the Eastern Orthodox.
Timothy Dudley-Smith wrote the hymn in May 1961 when he and his wife had just moved into their first house in Blackheath.He was inspired to write the text when he was reading a modern paraphrase of the Magnificat in Luke 1:46–55 in the New English Bible, a translation which begins with the phrase, "Tell out, my soul, the greatness of the Lord".
The Benedictus (also Song of Zechariah or Canticle of Zachary), given in Gospel of Luke 1:68–79, is one of the three canticles in the first two chapters of this Gospel, the other two being the "Magnificat" and the "Nunc dimittis".
In 1724 Johann Sebastian Bach composed the church cantata Meine Seel erhebt den Herren, BWV 10, [a] as part of his second cantata cycle.Taken from Martin Luther's German translation of the Magnificat canticle ("Meine Seele erhebt den Herren"), the title translates as "My soul magnifies the Lord".
The Magnificat setting consists of seven movements for the text of the canticle (Luke 1:46-55), concluded by two movements of the doxology.The following table shows the title, voices, tempo marking, time, key and text source for the nine movements, based on the vocal score, edited by Günter Graulich after the autograph.
Almost all Catholic liturgical music composed before the middle of the 20th century, including thousands of settings of the ordinary of the mass (Gloria, Credo, Sanctus, Agnus Dei), the ordinary and proper of the Requiem mass, psalms, canticles (such as the Magnificat), antiphons, and motets. Famous examples include: