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The Houston, Texas-based urban contemporary gospel quartet, The Walls Group, was started in 2009. It is made up of the oldest four of eight siblings; from oldest to youngest: Darrel McGlothen Walls, born February 8, 1991; Rhea Walls, born September 19, 1995; Alic (Paco) Walls, born July 7, 1996; and Ahjah Walls, born November 20, 1997, to Parents Roger and Alicia Wall, affectionately known as ...
The Wall were reduced to a duo of Beith and Griffiths, with the addition of guitarist Al Gregg and Claire Bidwell on bass, who soldiered on for one last effort, the Day Tripper 4 track EP and 10 track 12-inch, in late 1982, before the group split up for good in 1983.
This list does not include persons who frequently share lead vocal duties with other members of a given music group (e.g. John Lennon of the Beatles) or who are principally the public face or spokesperson of the music group (e.g. Pete Wentz of Fall Out Boy). The musician's name appears behind a bullet, and the corresponding musical group ...
The Wallflowers is an American rock solo project of American singer-songwriter and multi-instrumentalist Jakob Dylan. [1] The Wallflowers were originally a roots rock band formed in Los Angeles by Dylan and guitarist Tobi Miller.
The Wall is the eleventh studio album by the English rock band Pink Floyd, released on 30 November 1979 by Harvest/EMI and Columbia/CBS Records. It is a rock opera which explores Pink, a jaded rock star, as he constructs a psychological "wall" of social isolation. The Wall topped the US charts for 15 weeks and reached number three in the UK. It ...
The Wall Live 1980–81 is a live album released by Pink Floyd in 2000. It is a live rendition of The Wall , produced and engineered by James Guthrie , with tracks selected from the August 1980 and June 1981 performances at Earls Court in London .
The Walls are an Irish rock band. They were formed in 1998 by two ex-members of The Stunning – brothers Steve and Joe Wall. [2] Their debut album Hi-Lo was released in 2000 and included the singles "Bone Deep", "Something's Wrong" and "Some Kind of a Girl".
Unbeknownst to Hubbard, producer Michael Brovsky had decided to "Nashville-ize" the sound by adding overdub mixes and female backup singers to the recordings. The result was "a botched sound" that Hubbard disapproved of vehemently, but the album was released despite his attempts to block it.